Titlebook: Ethics and the Arts; Paul Macneill Book 2014 Springer Science+Business Media Dordrecht 2014 Aesthetics.Art.Bioethics.Dance.Ethics.Humaniti

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后退

Of Redemption: The Good of Film Experiencetheir connections to contemporary debates over film ethics. Comparing Sam Girgus and Siegfried Kracauer on ‘redemption’ reveals one such path while also opening a route to future discussions of film and ethics.

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https://doi.org/10.1007/978-0-387-74731-6in relation to science and medicine. In particular: the arts as they are employed within the medical humanities; rhetorical devices in supporting ‘medical progress’; and artists and their works in response to climate change.

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Nucleate

美色花錢

Toward an Intersubjective Ethics of Acting and Actor Trainingat ‘First philosophy is an ethics’ and Merleau-Ponty’s notion of the lived body, the essay articulates some of the opportunities offered by acting for examining the ethical implications of intersubjectivity in practice and performance.

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Introduction: Ethics and the Arts,aphy, film and documentary, dance and theatre. There is a section dealing with the relationship between ethics and the arts from philosophical perspectives—and a chapter in that section considers the role of the media in framing ethical issues. Ethics and the arts are also explored in relation to bi

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Literature and Ethics: Learning to Read with Emma Bovaryut a small-town adulteress who lives beyond her means, and eventually kills herself when her debts become unmanageable. At its time of publication the book was considered scandalous and subversive: Emma Bovary is a creature of desire, a married woman who undermines the sanctity of marriage. While th

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Modern Painting and Moralityend of the twentieth-century and through into this century. Two early modern painters (from the mid-1600s) are considered in comparison with two modern painters as a way of highlighting significant differences within and between early modern and modern eras. From the end of the nineteenth-century, m