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Titlebook: Ethics and the Arts; Paul Macneill Book 2014 Springer Science+Business Media Dordrecht 2014 Aesthetics.Art.Bioethics.Dance.Ethics.Humaniti

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發(fā)表于 2025-3-21 17:51:56 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
書目名稱Ethics and the Arts
編輯Paul Macneill
視頻videohttp://file.papertrans.cn/317/316034/316034.mp4
概述This book explores the relationship between art and ethics.22 chapters cover the relationship between ethics and all the arts.Ethics is discussed as an aesthetic.The book challenges current approaches
圖書封面Titlebook: Ethics and the Arts;  Paul Macneill Book 2014 Springer Science+Business Media Dordrecht 2014 Aesthetics.Art.Bioethics.Dance.Ethics.Humaniti
描述.This book proposes that the highest expression of ethics is an aesthetic. It suggests that the quintessential performance of any field of practice is an art that captures an ethic beyond any literal statement of values. This is to advocate for a shift in emphasis, away from current juridical approaches to ethics (ethical codes or regulation), toward ethics as an aesthetic practice—away from ethics as a minimal requirement, toward ethics as an aspiration. The book explores the relationship between art and ethics: a subject that has fascinated philosophers from ancient Greece to the present. It explores this relationship in all the arts: literature, the visual arts, film, the performing arts, and music. It also examines current issues raised by ‘hybrid’ artists who are working at the ambiguous intersections between art, bio art and bioethics and challenging ethical limits in working with living materials. In considering these issues the book investigates the potential for art and ethics to be mutually challenged and changed in this meeting..The book is aimed at artists and students of the arts, who may be interested in approaching ethics and the arts in a new way. It is also aimed a
出版日期Book 2014
關(guān)鍵詞Aesthetics; Art; Bioethics; Dance; Ethics; Humanities; Literature; Medical humanities; Music; Theartre
版次1
doihttps://doi.org/10.1007/978-94-017-8816-8
isbn_softcover978-94-017-7900-5
isbn_ebook978-94-017-8816-8
copyrightSpringer Science+Business Media Dordrecht 2014
The information of publication is updating

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發(fā)表于 2025-3-21 21:23:05 | 只看該作者
Literature and Ethics: Learning to Read with Emma Bovary he regarded as hypocritical and hollow—refused to sit in judgement on Emma Bovary. Her longing for tawdry ideals, men other than her husband who might be worthy of love, and for “what had looked so beautiful in books” suggests why, like Cervantes’ classic ., . is also a novel about an imagination d
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The Photograph Not as Proof but as Limitsts at the limits of representation, revealing there is more to the subject than can be contained by the image. Understanding photography in this way provides resources for constructing a mode of looking that maintains a form of otherness based on unknowability. Instead of turning the other into who
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Embracing the Unknown, Ethics and Danceesn’t know, in relation to a body which acts. However, it is one thing to acknowledge that dimming the lights on subjectivity can be aesthetically fruitful, another to call it .. This chapter explores the sense in which Spinoza’s understanding of goodness is able to introduce an ethical perspective
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發(fā)表于 2025-3-23 01:26:42 | 只看該作者
: Contemporary Indigenous Dance, Loss and Cultural Intuitionseries of case studies taken from rehearsal notes..Contemporary Indigenous experience of ‘being in place’ and ‘seeing country’ are reflected on in order to understand how this work of ‘a(chǎn)rt making’ and ‘culture making’ can encourage audiences to ‘listen differently’ for Indigenous approaches to meani
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發(fā)表于 2025-3-23 05:42:01 | 只看該作者
Politics and Ethics in Applied Theatre: Face-to-Face and Disturbing the Fabric of the Sensible suggests that theatre’s common prejudice towards physiognomy needs to be countered. Rather than seeing the face in order to be edified by the story of suffering it reveals, it should make an ethical demand for our responsibility to that person, and therefore, to all people in a similar situation. P
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