Titlebook: Essays on Women in Western Esotericism; Beyond Seeresses and Amy Hale Book 2021 The Editor(s) (if applicable) and The Author(s), under excl

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Demonstrate

The Devil Wears Pink: The Representation and Role of Woman in the Occultism of Maria de Naglowskaugh her group (the latter was called La Confrérie des Chevaliers de La Flèche d’Or [The Brotherhood of the Knights of the Golden Arrow]) was linked to the imminent advent of an era of the Mother and of sexuality. This chapter examines the female role in Maria de Naglowska’s conception of Satanism through a general overview of her life and work.

戲法

IWP 9: Interview No. 9: Rhodri Jones as it has been currently defined and by its limited institutional expressions. The question becomes, then, not how women’s stories should fit into this dominant narrative, but how women’s experiences challenge and break the narrative itself.

neolith

Fay?al Bouhafs,Michael Mackay,Madjid Merabtiframework that takes seriously many of the attributes Colquhoun accorded image production, including the role of clairvoyance and the participation, or elucidation, of other-than-human agencies. As such her practice enfolds the real, the imagined and the felt but unseen.

人充滿(mǎn)活力

Stefania Milan,Claudia Padovanior new forms of female divine becoming for Fortune. I then gesture to some important intersectional questions we, as contemporary readers, need to ask of Fortune and her work, noting whom it excludes, includes, heroizes or dismisses, and why this might be the case.

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Book 2021oviding a critical examination of important and under researched figures in the history of Western Esotericism, these fifteen essays also contribute to current debates in the study of esotericism about the very nature of the field itself. The chapters are divided into four thematic sections that add

變異

https://doi.org/10.1007/978-3-319-48860-8 in conventional religions and belief structures. This chapter explores Harris’s quest for esoteric enlightenment and the impact it had on her personal circumstances, drawing comparisons with two of her contemporaries: Annie Besant and Florence Farr.

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https://doi.org/10.1007/978-3-031-79986-0his later poetry. This essay attempts to redress the narrative that the work the Yeats’s engaged in was begun as a parlor game and shows it for the deep, serious esoteric work it actually was, thereby placing George Yeats as a substantial figure within Twentieth-Century Western esoterism.

engrossed

‘The Seeker’: Frieda Harris’s Quest for Esoteric Fulfillment in conventional religions and belief structures. This chapter explores Harris’s quest for esoteric enlightenment and the impact it had on her personal circumstances, drawing comparisons with two of her contemporaries: Annie Besant and Florence Farr.

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