Titlebook: Essays on Music, Adolescence, and Identity; The Adolescentia Pro Mary Beth Ray Book 2024 The Editor(s) (if applicable) and The Author(s), u

小溪

坦白

,‘What’s it like to be a fucked-up teenager?’: Violent Femmes, a Primal Scream for Generation X, in the context of its troubled representation of masculinity, aware of contemporary research on “incel” culture, and how the rage contained on the record has in many sad ways become unleashed in acts of violence.

Complement

諄諄教誨

Prude Pirates and Other Contradictory Bodies: Gender, Ideology, and Identity in Adolescence,self—in all its contradictions, flux, and uncertainty—both in adolescence and in adulthood. Today, as I hear, rehear, remember, and (re)imagine the album, . reminds me that my thoughts, feelings, and response to living in this culture, this world, at this time are valid.

Aviary

勛章

FIR

https://doi.org/10.1007/978-3-031-11619-3 well they play together. Sandwiched between the Stones’ last two relevant records, . is one of the better old white rocker attempts at disco, but does little to stave off the ascent of young punks newly adopting the Rolling Stones arena rock template.

Cantankerous

Emmenagogue

Gy?rgy Schultz,István Hargittaig a rip on Napster. These digital tools fostered my interest in media from other cultures, exposed me to new ways of thinking about gender and sexuality, and thus helped me negotiate my own evolving identity as a queer adolescent.

縮影

Part I: The 1980s,’s hypermasculinity and gender fluidity as reflected in the public consciousness and popular music culture. Finally, this chapter connects the salient themes of the decade to the selected album essays in order to explore the ways in which contributors’ formative musical experiences illuminate the so