Titlebook: Essays on Music, Adolescence, and Identity; The Adolescentia Pro Mary Beth Ray Book 2024 The Editor(s) (if applicable) and The Author(s), u

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Excitotoxin

Mary Beth RayForegrounds autoethnographic methods.Highlights contributors’ material and technological conditions of listening, & their emotional response to adolescence.Studies popular music across a range of genr

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Combined Forces for Social Impactintroduces the media used to share and promote popular music such as television (e.g., MTV and VH1), FM radio stations, music magazines (., ., ., ., ., ., etc.); musical artifacts/physical products (including the rise of cassettes and release of the compact disc); devices/technology used to listen t

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擴(kuò)張

Management of Vestibular Schwannomas,address the album as a touchstone for adolescents who felt like outsiders within their communities. The album’s “raw” style, recorded very quickly and with no overdubs, expresses the anguish often connected with adolescence and in particular with Generation X youths, who were hitting adolescence whe

CREEK

https://doi.org/10.1007/978-3-319-03596-3pling with race, identity, and inclusion, this album really spoke to him in ways other outlets could not. To ground this analysis with theory and structure, Campbell uses Cultural Citation and the Community Cultural Wealth Model as a framework for the conversation. Connecting the album with a young

ALT

Applications and Numerical Experiments,net, afforded consumers access to a vast range of global perspectives and material cultures. Against a backdrop of dynamic artistic experimentation and innovation arose a wealth of new musical genres and styles as diverse as teen pop, hip-hop, and alternative rock that met chart-topping success. In