Titlebook: Essays on Music, Adolescence, and Identity; The Adolescentia Pro Mary Beth Ray Book 2024 The Editor(s) (if applicable) and The Author(s), u

Palpable

,“,”: Loving and Listening to New Kids on the Block as a Jamaican Adolescent,l self and crafted fictional and future identities. Listening became inseparable from loving; loving the band meant imagining Jordan Knight as love object. As I retreated into the sonic pleasure of ., I imbibed the romantic ideals of its lyrics to escape in repeatable fifty-minute increments the traumas of my real life in those turbulent years.

吹牛需要藝術(shù)

東西

,“,”: ,, and the Reclamation of a Teenage Fat Body During the “Age of Fatphobia”,gramming, music videos, concert footage, and tour merchandise taken as a whole. The reflection illustrates the ways in which ., helped me to accept and, eventually, embrace my experience as a fat teenage girl. . is the soundtrack to my reclamation of my body, myself, the space I take up, and my unwillingness to apologize for it.

植物學(xué)

,Rage Against the Machine’s ,: An Autoethnography of Music and Political Socialization in Early Adolt suggest that self-selected resistant adolescent leisure activities are necessarily hedonistic and self-destructive. Instead, I aim to illustrate how my exposure to politically charged music helped me develop my own political perspective and identity, and lay the groundwork for a career in ethnomusicology.

偽造

,Everything Will Change: Revisiting The Postal Service’s ,nd yet, despite this, we still become ourselves. Mackenzie analyzes nostalgia through their discovery of . by The Postal Service in 2003, when they were a young, queer teenager, and as an adult, when they attend the anniversary tour in 2023.

CHOKE

獸群

船員

Management of Vestibular Schwannomas, in the context of its troubled representation of masculinity, aware of contemporary research on “incel” culture, and how the rage contained on the record has in many sad ways become unleashed in acts of violence.

侵害

Applications and Numerical Experiments,ing engagement with music for its political and transgressive potential: Young people, in particular, used music to challenge entrenched identity paradigms, resist hegemonic power structures, and align with diverse affinity groups.

牲畜欄

Lecture Notes in Electrical Engineeringself—in all its contradictions, flux, and uncertainty—both in adolescence and in adulthood. Today, as I hear, rehear, remember, and (re)imagine the album, . reminds me that my thoughts, feelings, and response to living in this culture, this world, at this time are valid.