Titlebook: Erinnerung reloaded?; (Re-)Inszenierungen Gabriele von Glasenapp,Andre Kagelmann,Ingrid Tomk Book 2021 Der/die Herausgeber bzw. der/die Au

債務人

書目名稱Erinnerung reloaded?影響因子(影響力)




書目名稱Erinnerung reloaded?影響因子(影響力)學科排名




書目名稱Erinnerung reloaded?網(wǎng)絡公開度




書目名稱Erinnerung reloaded?網(wǎng)絡公開度學科排名




書目名稱Erinnerung reloaded?被引頻次




書目名稱Erinnerung reloaded?被引頻次學科排名




書目名稱Erinnerung reloaded?年度引用




書目名稱Erinnerung reloaded?年度引用學科排名




書目名稱Erinnerung reloaded?讀者反饋




書目名稱Erinnerung reloaded?讀者反饋學科排名

Aboveboard

Performative Erinnerungskulturen im Kinder- und Jugendtheaterpments. Theatre in its performativity rather creates a social and aesthetic space in which the physical copresence of actors and spectators allows for direct experience and confrontation. In the sense of a heterotopia, the stage opens up a transitory space of the in-between, uniting several spaces i

神刊

allude

Digitale Erinnerungsr?umegame worlds often display impressive historical accuracy, the underlying game mechanics are usually largely separated from the historical milieu. A tactical approach or quick reactions are crucial to playing, but a knowledge of history and historically correct role playing is rarely part of the game

Harass

in , und such as historical fiction. This article, however, suggests a strong potential for fantastic subgenres to convey the past adequately, and, moreover, to exemplify processes of cultural memory within their stories. This claim is argued with the help of Pierre Nora’s concept of ‘realms of memory’ [lie

inveigh

Sich erinnern, Bild-Text werdennn; Erll). The literary implementation of memory processes consciously plays with the (re)construction of the past that is no longer tangible, which also involves a specific relationship between narratology and memory (cf. Gansel). From the point of view of the present ego, the remembered ego is sha

inveigh

Kindheitsmemorabiliensed within children’s literature. In the second half of the 19th century, picture books by Dresden artists such as Ludwig Richter, Oscar Pletsch and Hugo Bürkner addressed bourgeois childhood itself. They popularised romantic motifs such as paradise garden, . and childhood in words and pictures. As

Pseudoephedrine

Memoria des jüdischen Volkest which is almost forgotten today, some 100 years later. This article takes a close look at this text corpus and, above all, analyses its intergenerational inscriptions. It pursues the thesis that the Jewish fairy tale was intended as a narrative of Jewish nation building, a medium of memory and rec

爭論

Vergessen und Erinnerneis inscribed experiences of the postwar period into literary traditions of cultural knowledge. Her novel ., published in 1964, prompted controversial contemporary debates. Due to these critiques posed against the author and the work, the first edition of the novel was never reissued, erasing a sign

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