Titlebook: English Fiction Since 1984; Narrating a Nation Brian Finney Book 2006 Palgrave Macmillan, a division of Macmillan Publishers Limited 2006 f

Inertia

身體萌芽

Salman Rushdie: , (1988) disproportionate attention to its four alternating even-numbered chapters in which Gibreel dreams about the life of Muhammed (derogatively named Mahound in the novel), the Imam (modeled on then Iranian President Khamene’i), and Ayesha (modeled on Naseem Fatima), a follower of the Islamic faith who

來(lái)這真柔軟

Essential

REP

意外的成功

Brittle

小隔間

https://doi.org/10.1057/9780230207073fiction; Great Britain; novel; British and Irish Literature

美色花錢

https://doi.org/10.1007/978-3-030-31091-2f fiction writing that has come to dominate the two decades since 1984. The eleven novels on which this book focuses have been selected both for their intrinsic importance and to form part of an argument concerning the representation of history and identity in English fiction. The argument has been

仲裁者

Elena Anne Marchisotto,James T. Smithvitably this has affected their understanding of the nature of writing and entered their fiction — frequently in the form of increased verbal playfulness, self-consciousness and metafictional interventions. Ackroyd exemplifies this generational characteristic by publishing as his first book what he