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Titlebook: English Fiction Since 1984; Narrating a Nation Brian Finney Book 2006 Palgrave Macmillan, a division of Macmillan Publishers Limited 2006 f

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書目名稱English Fiction Since 1984
副標(biāo)題Narrating a Nation
編輯Brian Finney
視頻videohttp://file.papertrans.cn/312/311134/311134.mp4
圖書封面Titlebook: English Fiction Since 1984; Narrating a Nation Brian Finney Book 2006 Palgrave Macmillan, a division of Macmillan Publishers Limited 2006 f
描述This book focuses on representative novels by eleven key English novelists who have broken from the realist novel of the post Second World War period. They have reacted to the Thatcherite revolution that thrust Britain into the modern world of multi-national capitalism by giving unusual fictional shape to the impact of global events and culture.
出版日期Book 2006
關(guān)鍵詞fiction; Great Britain; novel; British and Irish Literature
版次1
doihttps://doi.org/10.1057/9780230207073
isbn_softcover978-1-349-28413-9
isbn_ebook978-0-230-20707-3
copyrightPalgrave Macmillan, a division of Macmillan Publishers Limited 2006
The information of publication is updating

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l freedom” (Adolescence and After 526). Compare this early fiction to McEwan’s first two novels of the twenty first century. . (2001) focuses on a crucial period of English history between 1935 and 1940 and ranges from an upper class household in prewar southern England to the retreat of the British
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https://doi.org/10.1007/978-3-540-48377-9 of the narrative, most have allowed their allegiance to the women’s movement to simplify Carter’s complex and ambivalent handling of emancipated female subjectivity. Paulina Palmer set the trend with an important essay in 1987 which argued that in . “[a]cts of resistance against patriarchy are repr
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https://doi.org/10.1007/978-94-015-0985-5 the church elders she makes up her own words in the form the novel takes. In her ninth novel, . (2004) one of the inter-chapters reveals the continuity of this identification of subjectivity with narrativity:
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