Titlebook: Empathetic Space on Screen; Constructing Powerfu Amedeo D‘Adamo Textbook 2018 The Editor(s) (if applicable) and The Author(s) 2018 empathet

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Alienated Spaces: DeathStarchitecture in ,, Bleached Space and Dialogue in ,, Showroom Space in , anrg, four attributes of DeathStarchitecture are identified that contrast this space with those of Rebel zones to create a DisPassionate alienation that distinguishes the good from the bad guys. These attributes are: non-place with no memorable markers, highly-rationalized spaces of instrumentalism, s

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https://doi.org/10.1007/978-3-319-66772-0empathetic; dantean; space; cinema; TV; film; setting; place

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978-3-319-66771-3The Editor(s) (if applicable) and The Author(s) 2018

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Amedeo D‘AdamoDeals with the emotional aspect of viewing films, focusing on well-known films that are particularly and popularly powerful.Accessible in three ways: in style, in content (being about popular films an

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Jonathan Clavell-Hernández,Run Wangtionship to the protagonist, the settings in such films as . and some television shows are heightened by and entangled with the protagonist’s emotional struggles, sharing a narrative architectural form we will call Dantean space. Examining that rush of feelings of such empathetic settings reveals te