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Titlebook: Empathetic Space on Screen; Constructing Powerfu Amedeo D‘Adamo Textbook 2018 The Editor(s) (if applicable) and The Author(s) 2018 empathet

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發(fā)表于 2025-3-21 17:26:53 | 只看該作者 |倒序瀏覽 |閱讀模式
書目名稱Empathetic Space on Screen
副標(biāo)題Constructing Powerfu
編輯Amedeo D‘Adamo
視頻videohttp://file.papertrans.cn/309/308784/308784.mp4
概述Deals with the emotional aspect of viewing films, focusing on well-known films that are particularly and popularly powerful.Accessible in three ways: in style, in content (being about popular films an
圖書封面Titlebook: Empathetic Space on Screen; Constructing Powerfu Amedeo D‘Adamo Textbook 2018 The Editor(s) (if applicable) and The Author(s) 2018 empathet
描述In this book we learn that there is a clear but complex relationship between setting and character on screen. Certain settings stand out above others—think of the iconic gooey dripping tunnels that Ripley stumbles through in?.Aliens., Norman’s bird-decorated parlour in?.Psycho.?or the dark Gotham of certain Batman movies. But what makes these particular settings so powerful and iconic? Amedeo D’Adamo explains why we care about and cry for certain characters, and then focuses on how certain places then become windows onto their emotional lives. Using popular case studies such as?.Apocalypse Now, Amelie, Homeland?.and?.The Secret Garden., this original and insightful book is the first to really explain what makes some settings so effective, revealing an important but as yet uncovered machinery of empathy in visual narrative space. An invaluable resource for students, academics and indeed young filmmakers designing their very own narratives for space on screen..
出版日期Textbook 2018
關(guān)鍵詞empathetic; dantean; space; cinema; TV; film; setting; place
版次1
doihttps://doi.org/10.1007/978-3-319-66772-0
isbn_softcover978-3-319-66771-3
isbn_ebook978-3-319-66772-0
copyrightThe Editor(s) (if applicable) and The Author(s) 2018
The information of publication is updating

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E. Mutschler,D. Stalleicken,H. T. Schneiderracing this figure through a history of representations and exposing its potential as a social force and as a unique empathetic agent in narrative and space. And while Dantean space has often tied empathy to guilt and bitterness, the fresh perspective of Ecstatic space opens up the ignored and compl
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Escaping Dantean Space: On Creating Zones of Care in the Biography of St. Teresa, in Marble and Make
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https://doi.org/10.1057/9780312299262aditionally DisPassionate characters, from Spiderman to James Bond to Sherlock Holmes, have acquired dramatic internal goals while Dramatic characters and spaces have increasingly migrated from the big screen to small-screen outlets.
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https://doi.org/10.1007/978-3-642-87806-0e carry a sense of self that necessarily imposes certain forms of alienation, teaching us to see ourselves and others in a specifically anti-social way? What are the effects of consuming narratives that deploy Dantean space? In short, is Dantean space bad for us?
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