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Titlebook: Embodying Language in Action; The Artistry of Proc Erika Piazzoli Book 2018 The Editor(s) (if applicable) and The Author(s) 2018 Second Lan

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發(fā)表于 2025-3-21 16:15:45 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
書目名稱Embodying Language in Action
副標(biāo)題The Artistry of Proc
編輯Erika Piazzoli
視頻videohttp://file.papertrans.cn/309/308030/308030.mp4
概述Provides new qualitative research and produces practical recommendations for use in second language teaching through drama.Combines theory from drama and second language teaching to produce fresh insi
圖書封面Titlebook: Embodying Language in Action; The Artistry of Proc Erika Piazzoli Book 2018 The Editor(s) (if applicable) and The Author(s) 2018 Second Lan
描述This book explores embodiment in second language education, sociocultural theory and research. It focuses on process drama, an embodied approach that engages learners’ imagination, body and voice to create a felt-experience of the second language and culture. Divided into three parts, it begins by examining the aesthetic and intercultural dimension of performative language teaching, the elements of drama and knowing-in-action. The central part of the book examines issues related to play, emotions, classroom discourse and assessment when learning a language through process drama, in a sociocultural perspective. The third part is an analysis of the author’s qualitative research, which informs a subtle discussion on reflective practitioner methodology, learner engagement and teacher artistry. Each chapter includes a drama workshop, illustrating in practice what embodying language in action can look like when working with asylum seekers, adult learners with intellectual disabilities, pre-service teachers, international students and children involved in a Content and Language Integrated Learning (CLIL) programme. A unique combination of theory, research and reflective practice, this boo
出版日期Book 2018
關(guān)鍵詞Second Language Learning; drama in education; second language classroom; learner engagement; drama pedag
版次1
doihttps://doi.org/10.1007/978-3-319-77962-1
isbn_softcover978-3-030-08585-8
isbn_ebook978-3-319-77962-1
copyrightThe Editor(s) (if applicable) and The Author(s) 2018
The information of publication is updating

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沙發(fā)
發(fā)表于 2025-3-21 20:34:30 | 只看該作者
板凳
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地板
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發(fā)表于 2025-3-22 14:26:59 | 只看該作者
https://doi.org/10.1007/978-94-017-4841-4gement and artistry, and at?imagination as an aesthetic key to awaken participants’ sense of agency and playfulness. The chapter includes a process drama structure, The Secret Strategy, designed within her doctoral research.
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發(fā)表于 2025-3-23 00:14:28 | 只看該作者
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發(fā)表于 2025-3-23 03:14:54 | 只看該作者
Language Engagement and Teacher in Role the difference between make-believe and make belief in classroom dynamics. It includes a drama structure, Pygmalion, a workshop that investigates the connection between teacher and learner, artist and the work of art, power and agency.
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發(fā)表于 2025-3-23 06:47:01 | 只看該作者
Navigating Performative Language Pedagogy adult L2 students with intellectual disabilities. The chapter includes a process drama structure, David and Goliath, a workshop that draws on Caravaggio’s art work as pre-text to explore the tension between parents and son, as well as?community and personal achievement.
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