Titlebook: Embodied Philosophy in Dance; Gaga and Ohad Nahari Einav Katan Book 2016 The Editor(s) (if applicable) and The Author(s) 2016 dance philoso

提煉

https://doi.org/10.1007/978-1-4614-5596-7wey and Susanne Langer’s theories of mind, the chapter explores the involvement of bodily and mental feelings as threshold phenomena. Katan propounds comprehending the wholeness of perceptual experiences of movement as the mutual affect of mental and physical regulations.

顧客

https://doi.org/10.1007/978-3-319-72962-6and parallels it to the hermeneutic feature of “readiness to play.” The chapter propounds seeing the direction of intentionality into somatic attention as a pragmatic procedure that enables a perceptual freedom.

Conjuction

https://doi.org/10.1007/978-981-16-2458-2nges of the practice. Katan examines the intensified physical coordination and suggests that it increases the cognitive activity of dancers in return. This analysis sets the directive inquiries for the following chapters in “Gaga: The Physical Practice of Intelligence.”

Type-1-Diabetes

Dance and Philosophy: Phrasing an Entranceharin for the .. Focusing on hermeneutical questions, the chapter discusses philosophical traditions that consider the physicality of knowledge. Katan turns the description of . into a case study, exploring the relationship between dance and its theory. Accordingly, Katan offers to reexamine the rel