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Titlebook: Embodied Philosophy in Dance; Gaga and Ohad Nahari Einav Katan Book 2016 The Editor(s) (if applicable) and The Author(s) 2016 dance philoso

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發(fā)表于 2025-3-21 18:40:12 | 只看該作者 |倒序瀏覽 |閱讀模式
書目名稱Embodied Philosophy in Dance
副標題Gaga and Ohad Nahari
編輯Einav Katan
視頻videohttp://file.papertrans.cn/309/308008/308008.mp4
概述Offers the first comprehensive analysis of Ohad Naharin’s unique work and choreographic style.Provides an unmatched insight into the central concepts of one of contemporary dance‘s most original movem
叢書名稱Performance Philosophy
圖書封面Titlebook: Embodied Philosophy in Dance; Gaga and Ohad Nahari Einav Katan Book 2016 The Editor(s) (if applicable) and The Author(s) 2016 dance philoso
描述Representing the first comprehensive analysis of Gaga and Ohad Naharin‘s aesthetic approach, this book follows the sensual and mental emphases of the movement research practiced by dancers of the Batsheva Dance Company. Considering the body as a means of expression, .Embodied Philosophy in Dance. deciphers forms of meaning in dance as a medium for perception and realization within the body. In doing so, the book addresses embodied philosophies of mind, hermeneutics, pragmatism, and social theories in order to illuminate the perceptual experience of dancing. It also reveals the interconnections between physical and mental processes of reasoning and explores the nature of physical intelligence.
出版日期Book 2016
關(guān)鍵詞dance philosophy; performance philosophy; expressive dance; physical dynamics; physical knowledge; somati
版次1
doihttps://doi.org/10.1057/978-1-137-60186-5
isbn_softcover978-1-349-95629-6
isbn_ebook978-1-137-60186-5Series ISSN 2947-5589 Series E-ISSN 2057-7176
issn_series 2947-5589
copyrightThe Editor(s) (if applicable) and The Author(s) 2016
The information of publication is updating

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Wave Propagation Across Interfaces,harin for the .. Focusing on hermeneutical questions, the chapter discusses philosophical traditions that consider the physicality of knowledge. Katan turns the description of . into a case study, exploring the relationship between dance and its theory. Accordingly, Katan offers to reexamine the rel
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Alexander G. Grankov,Alexander A. Milshine consideration of physical practices as platforms for intelligent performance. The chapter draws attention to the social knowledge that is embodied in physical practices. Discussing philosophical and social theories, the chapter explores the physicality of “habitus,” where accordingly, cultural wis
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https://doi.org/10.1007/978-981-4451-24-6ter analyzes the instruction from its experimental point of view and reveals the implicit knowledge of the dancers, who move accordingly. The chapter also explores the cognitive activities of the somatic practice and discusses their origins. It underlines the operation of the movement through somati
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https://doi.org/10.1007/978-3-658-45686-3ptions in everyday life. The chapter analyzes the movement research as its own purpose, and parallels it with hermeneutical-philosophical inquiry. Katan explores the activity of instructions in Gaga, demonstrating the understanding of physical dynamics before they occur. The case study draws attenti
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