Titlebook: Embodied Philosophy in Dance; Gaga and Ohad Nahari Einav Katan Book 2016 The Editor(s) (if applicable) and The Author(s) 2016 dance philoso

Consensus

Alexander G. Grankov,Alexander A. Milshindom is comprehended by individuals. The chapter concludes with the case study of Gaga, analyzing the dance practice as an intelligible research, wherein dancers question, inquire and reform their bodily knowledge.

滔滔不絕的人

https://doi.org/10.1007/978-1-349-01065-3movement. Analyzing the cognitive act that correlates detached representations and sensory information, the chapter puts forward the pragmatic procedure of attunement between sensory stimulus and intentionality.

厚顏無恥

Sima Noghanian,Abas Sabouni,Ali Ashtarild to another and apply them genuinely. The chapter puts forward the responsibility of sensory stimuli in reorganizing the current capacity of movement and in incorporating the metaphor as an innovative movement pattern.

疏忽

squander

https://doi.org/10.1007/978-1-4471-1780-3n extends the analysis, exploring the physical implications of holding a mental image concerning the ideal movement. The chapter propounds a psychological comprehension of physical tension, analyzing the case of leading two contradicting images as a mental effort that excludes physical knowledge.

relieve

https://doi.org/10.1007/978-3-031-45147-8sources concerning the quality of attunement between intentionality and sensory information. Focusing on the case study of mental instructions in Gaga, the chapter indicates that feelings assist dancers adjusting their intentionality according to the work’s purpose.

悲痛

驕傲

mechanical

Enacting Perceptionmovement. Analyzing the cognitive act that correlates detached representations and sensory information, the chapter puts forward the pragmatic procedure of attunement between sensory stimulus and intentionality.

勤勞

Dancing Metaphorsld to another and apply them genuinely. The chapter puts forward the responsibility of sensory stimuli in reorganizing the current capacity of movement and in incorporating the metaphor as an innovative movement pattern.