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Titlebook: Electronic Cities; Music, Policies and Sébastien Darchen,Damien Charrieras,John Willsteed Book 2021 The Editor(s) (if applicable) and The

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樓主: 民俗學(xué)
41#
發(fā)表于 2025-3-28 15:11:21 | 只看該作者
Vektorrechnung in Zwei und Drei Dimensionen,k, Neu!, Deutsche Amerikanische Freundschaft (DAF), and Propaganda. A wealthy arts and fashion hub, the story of the city’s music scene is closely interwoven with that of the Kunstakadamie, thanks to the activities and cross-fertilization of significant artists such as Joseph Beuys, Sigmar Polke, an
42#
發(fā)表于 2025-3-28 22:37:54 | 只看該作者
43#
發(fā)表于 2025-3-29 00:11:29 | 只看該作者
44#
發(fā)表于 2025-3-29 03:34:08 | 只看該作者
Klemens Burg,Herbert Haf,Friedrich Willeof the mainstream and the underground events and venues. It examines the ways in which public policy has recently attempted to embrace and safeguard nightlife, in the light of a high number of club closures. It analyses a case study of ., whose history illustrates the evolution of planning framework
45#
發(fā)表于 2025-3-29 07:23:41 | 只看該作者
46#
發(fā)表于 2025-3-29 15:01:53 | 只看該作者
47#
發(fā)表于 2025-3-29 18:35:55 | 只看該作者
,überblick über ebene und r?umliche Kurven,ented the city and confined people of colour to areas with poor public services. For the past forty years, hip-hop DJs and producers have translated these policies and politics into aesthetic and formal characteristics of their music, reclaiming public space by reworking sonic space. This chapter lo
48#
發(fā)表于 2025-3-29 23:39:24 | 只看該作者
,überblick über ebene und r?umliche Kurven,90s to the present day, against the backdrop of ?ód?’s political and social history. The chapter pays attention to artists connected to the city, the spaces in which they performed, such as clubs and music festivals and the genres which took root in ?ód?, particularly drum and bass. It also presents
49#
發(fā)表于 2025-3-30 02:24:17 | 只看該作者
50#
發(fā)表于 2025-3-30 04:31:50 | 只看該作者
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