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Titlebook: Electronic Cities; Music, Policies and Sébastien Darchen,Damien Charrieras,John Willsteed Book 2021 The Editor(s) (if applicable) and The

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樓主: 民俗學(xué)
11#
發(fā)表于 2025-3-23 11:27:03 | 只看該作者
12#
發(fā)表于 2025-3-23 16:00:28 | 只看該作者
Embodied Listening: Grassroots Governance in Electronic Dance Music Venues in Accra (Ghana)ublic policies, foreground an afrocentric discussion of the electronic music scene and community networks. Government interventions such as arts policies, building codes, and sound control policies that are relevant in the Global North are found to be potentially harmful in Ghana, as well as other similar communities in the Global South.
13#
發(fā)表于 2025-3-23 18:17:13 | 只看該作者
14#
發(fā)表于 2025-3-23 22:18:06 | 只看該作者
15#
發(fā)表于 2025-3-24 03:55:02 | 只看該作者
Budapest, Hungary: Techno Scene (1988–2018)f new promoter teams whose aim was to regenerate the underground scene. By examining historical moments of the scene and stories of venues, the focus is on cases of gentrification and commodification and their impacts on the local scene.
16#
發(fā)表于 2025-3-24 10:10:01 | 只看該作者
17#
發(fā)表于 2025-3-24 14:23:24 | 只看該作者
Book 2021eam EDM scenes and underground Electronic Dance Music Cultures. This expansive work offers additional insights on cultural and creative policies, planning interventions and regulations associated with nightlife management, and provides a detailed analysis of current challenges inherent to the governance of EDM scenes in contemporary cities.
18#
發(fā)表于 2025-3-24 16:36:28 | 只看該作者
19#
發(fā)表于 2025-3-24 18:59:53 | 只看該作者
Klemens Burg,Herbert Haf,Friedrich Willeesearch is based on an analysis of key documents related to planning and culture, published by public authorities and ad hoc bodies; planning applications and subsequent reports on development control decision; interview with a range of stakeholders, including local authority staff, club owners, music producers, DJs and events promoters.
20#
發(fā)表于 2025-3-25 00:08:33 | 只看該作者
Variationsrechnung und Optimierung, by the work of Toronto’s Music Advisory Council, like its revised noise bylaw and incorporation of the Agent of Change principle, carry the potential to shape the future sustainability of Toronto’s electronic music scene(s).
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