Titlebook: Editing, Performance, Texts; New Practices in Med Jacqueline Jenkins (Associate Professor of English Book 2014 Palgrave Macmillan, a divisi

Corrugate

書目名稱Editing, Performance, Texts影響因子(影響力)




書目名稱Editing, Performance, Texts影響因子(影響力)學(xué)科排名




書目名稱Editing, Performance, Texts網(wǎng)絡(luò)公開度




書目名稱Editing, Performance, Texts網(wǎng)絡(luò)公開度學(xué)科排名




書目名稱Editing, Performance, Texts被引頻次




書目名稱Editing, Performance, Texts被引頻次學(xué)科排名




書目名稱Editing, Performance, Texts年度引用




書目名稱Editing, Performance, Texts年度引用學(xué)科排名




書目名稱Editing, Performance, Texts讀者反饋




書目名稱Editing, Performance, Texts讀者反饋學(xué)科排名

champaign

PUT

Playing Ghismonda for ‘fooles’ and ‘noble freinds’: Revising for Performance Between , and , including . This chapter considers the ‘Ghismonda’ play manuscripts as the work of John Newdigate III and argues that the revisions evident between the manuscripts suggest specific performance conditions and reveal something of the way amateur dramatic texts were revised and circulated in literary

EXPEL

TOXIC

(Un)Editing with (Non-)Fictional Bodies: Pope’s Daggersnts a more polished presentation copy and incorporates many of the revisions witnessed in the Arbury (and some other revisions, as well). The play itself is a five-act romantic comedy set in rural England, featuring a corrupt Justice Thrifty, his daughter and her suitor, and several other comic char

FLIC

FLIC

浮雕

Virtues

Low-Mass Protostars and Protostellar Stagesng or imagining of performance is thus the printed playtext’s gift and challenge: through dialogue and stage directions as well as supplementary material such as commentary notes, performance histories in introductions, illustrations and photographs, active readers can gain or enhance an understandi

宣稱