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Titlebook: Ecuadorian Cinema for the 21st Century; María Fernanda Mi?o Puga Book 2023 The Editor(s) (if applicable) and The Author(s), under exclusiv

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樓主: protocol
31#
發(fā)表于 2025-3-26 23:40:53 | 只看該作者
Making Sense of the Past: Documentary and Memory in Ecuadorian Cinema for the 21st Century,ith the state’s discourse, are more precisely a product of a shared societal makeup that rejects neoliberalism on paper but does not seem to agree upon a conclusive way forward, attesting to the same ambiguities, contradictions, and ruptures present in Socialism for the 21st century. What is left is
32#
發(fā)表于 2025-3-27 02:11:54 | 只看該作者
,Ecuador’s Vernacular Cinema: Underground, Popular, and Neoliberal?,pter chooses to focus on privately funded narrative features that reached commercial theatres during the . years, proposing an Ecuadorian vernacular terminology to encapsulate these films. Here, it is argued that a shared aspiration for theatrical distribution and “dreaming big”, what Ponce-Cordero
33#
發(fā)表于 2025-3-27 06:08:41 | 只看該作者
34#
發(fā)表于 2025-3-27 12:36:08 | 只看該作者
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發(fā)表于 2025-3-27 13:38:47 | 只看該作者
36#
發(fā)表于 2025-3-27 21:07:28 | 只看該作者
onal cinemas in Latin America.An invaluable resource for stuEcuadorian cinema has been largely overlooked in film scholarship, usually being limited to brief descriptions in Latin American compendiums.??.Ecuadorian cinema for the 21.st.?century.?would be the first major publication in English to fil
37#
發(fā)表于 2025-3-27 23:55:14 | 只看該作者
Book 2023rian cinema for the 21.st.?century.?would be the first major publication in English to fill this gap.? It provides a thorough account of film activities during the new millennium, while also referring to the country’s previous film history.? Specifically, this book discusses the so-called ‘mini-boom
38#
發(fā)表于 2025-3-28 02:15:00 | 只看該作者
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發(fā)表于 2025-3-28 09:38:14 | 只看該作者
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發(fā)表于 2025-3-28 14:13:21 | 只看該作者
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