Titlebook: Ecuadorian Cinema for the 21st Century; María Fernanda Mi?o Puga Book 2023 The Editor(s) (if applicable) and The Author(s), under exclusiv

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Commercially Released Narrative Features During the , Years,ent film days and was heavily influenced by underlying market forces. However, Chap. . only built a partial case for Ecuadorian cinema for the 21st century as a stand-alone moment in Ecuadorian film history. This and subsequent chapters expand on the theoretical, historical, and legal frameworks pro

獨(dú)裁政府

Making Sense of the Past: Documentary and Memory in Ecuadorian Cinema for the 21st Century,ich is considered by the local milieu as having acquired an important level of “maturity”, and also given its participation in film festivals and popular support in theatres, its inclusion in an Ecuadorian cinema for the 21st century is justified. Also, bearing in mind the social documentary roots o

PANIC

混合,攙雜

,Cinema and Ecuador’s ,: Negotiating Coloniality in the Community,te the revolutionary rhetoric found in Socialism for the 21st century, including its memory articulations. After exploring commercially released narrative features, documentaries, and films that operate at the margins of the local industry yet maintain similar aspirations of success, this chapter tu

混合,攙雜

Conclusions and Recommendations,icular set of production practices, aesthetic choices, and narrative themes to constitute the proposed “Ecuadorian cinema for the 21st century”. The political, commercial, and societal articulations analysed in this book have helped argue for a local film industry that presents comparable ambiguitie

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María Fernanda Mi?o PugaFirst major English publication on Ecuadorian Cinema.Convincing and well-evidenced case for the contradictory nature of film policy and national cinemas in Latin America.An invaluable resource for stu

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Heresy