Titlebook: Economies of Collaboration in Performance; More than the Sum of Karen Savage,Dominic Symonds Book 2018 The Editor(s) (if applicable) and Th

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https://doi.org/10.1007/978-3-322-90211-5collaboration contribute to small-scale companies, fringe venues and the Edinburgh Festival as a whole. Although we identify limitations in the effectiveness of this funding mechanism as a resource, we establish that the Festival itself is a phenomenon entirely driven by the collaborative economy.

出價

Introduction,of some related terms, cooperation, collectivism and communalism, laying out the groundwork for the rest of the book’s concentration on the idea of collaboration. Finally, we prepare the reader for the subsequent discussion with a brief chapter breakdown.

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Crowd,collaboration contribute to small-scale companies, fringe venues and the Edinburgh Festival as a whole. Although we identify limitations in the effectiveness of this funding mechanism as a resource, we establish that the Festival itself is a phenomenon entirely driven by the collaborative economy.

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,Berücksichtigung von Unsicherheit,Chapter . (Wikinomics, Cognitive Capitalism and Post-capitalism), our consideration of Hardt and Negri serves as a conclusion to the first section of our book, discussing the theoretical frameworks that surround the idea of a collaborative economy.

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Antworten zu den Kontrollfragen,eces is in fact constructed as a narrative and a piece of art by prosumers, adding an additional layer to the collaborative economy. This enables us to explore ideas of participatory practice, a discussion which is developed throughout the following chapter.

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Darstellung und Interpretation der Befunde,e ensuing social media activity generated in Internet chat. Through a close reading of the comments, we establish how individuals engaging as both performers and audiences benefit from the “togetherness” that even these dispersed activities imply.

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