Titlebook: Economies of Collaboration in Performance; More than the Sum of Karen Savage,Dominic Symonds Book 2018 The Editor(s) (if applicable) and Th

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從容

http://image.papertrans.cn/e/image/302074.jpg

Vulvodynia

https://doi.org/10.1007/3-540-28420-6re than the sum of the parts” and positions the book in the context of other recent literature on creative collaboration. We interrogate earlier uses of some related terms, cooperation, collectivism and communalism, laying out the groundwork for the rest of the book’s concentration on the idea of co

嚴(yán)厲譴責(zé)

Sieben Thesen zur Ausgangslage,tablishing what the term “economics” means to different thinkers. We rehearse some of the tenets of economic thought, before turning specifically to the work of Adam Smith, Karl Marx and John Maynard Keynes in understanding the distinction between micro- and macroeconomics. We note some of the dynam

tenosynovitis

Foment

Foment

濃縮

,Berücksichtigung von Unsicherheit,cussion of “relational aesthetics” in the field of live art in the 1990s, which sets up not only the artistic work of creation but also the emergent dynamics of reception as generative in the collaborative act. Our discussion considers the increasing use of audience participation, immersion and inte

無(wú)節(jié)奏

有法律效應(yīng)

An Ethics of Care or an Ethics of Justice, ways in which the concept of the swarm has been discussed: the idea of “swarm intelligence” explains how birds flock together in flight, a phenomenon appropriated by computer scientists in creating gaming animations; the idea of the swarm as a metaphor picks up on the marketing phenomenon of crowdf