Titlebook: Ecodocumentaries; Critical Essays Rayson K. Alex,S. Susan Deborah Book 2016 The Editor(s) (if applicable) and The Author(s) 2016 Ecocritici

滔滔不絕地說

噱頭

optic-nerve

,Zusammenfassung und Schlu?folgerungen,ands eco-film scholarship’s current preoccupations with primarily Western/Japanese animation and with its predominant focus on animation as playful. In all, the essay argues for furthering our understanding of Indian and eco-animation.

秘傳

偏見

Culpable

不朽中國

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Introduction: The Ethics of Relationships in Social Documentaries,ves is the challenge they pose to the rigid hierarchies of their established counterparts. The Western acknowledgement of the ecologies of the Global South is a welcome initiative as it challenges Eurocentric hierarchies. Scott Slovic, Swarnalatha Rangarajan, and Vidya Sarveswaran, in their “Introdu

grudging

Ecological Imperialism in the Age of the Posthuman: David Fedele’s ,iscourse in mind, and considering the inseparability of nature from culture, Africa’s peoples and non-human organic beings as well as impersonal agents (such as air, land, and marine environments) require a rethink of value, knowledge, and being in a new posthumanist venture.

歸功于

Wasted Humans and Garbage Animals: Deadly Transcorporeality and Documentary Activism attempt to elucidate a theory of garbage animal and theorise a genre of garbage animal documentary as a form of redemption. I particularly focus on Kunal Vohra’s documentary ., which discusses the way India’s modernisation has affected their sacred cow. Terms such as “the plastic cow” in India or “