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Titlebook: Eastern European Popular Music in a Transnational Context; Beyond the Borders Ewa Mazierska,Zsolt Gy?ri Book 2019 The Editor(s) (if applica

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發(fā)表于 2025-3-21 17:16:44 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
書(shū)目名稱Eastern European Popular Music in a Transnational Context
副標(biāo)題Beyond the Borders
編輯Ewa Mazierska,Zsolt Gy?ri
視頻videohttp://file.papertrans.cn/302/301016/301016.mp4
概述Examines a previously under-researched area of popular music and Eastern European studies.Written by authors with a local knowledge.Covers production and consumption of popular music, including music
叢書(shū)名稱Palgrave European Film and Media Studies
圖書(shū)封面Titlebook: Eastern European Popular Music in a Transnational Context; Beyond the Borders Ewa Mazierska,Zsolt Gy?ri Book 2019 The Editor(s) (if applica
描述This volume examines the transnational character of popular music since the Cold War era to the present. Bringing together the cross-disciplinary research of native scholars, .Eastern European Popular Music in a Transnational Context .expands our understanding of the movement of physical music, musicians and genres through the Iron Curtain and within the region of Eastern Europe. With case studies ranging from Goran Bregovi?, Czes?aw Niemen, the reception of Leonard Cohen in Poland, the Estonian punk scene to the Intervision Song Contest, the book discusses how the production and reception of popular music in the region has always been heavily influenced by international trends and how varied strategies allowed performers and fans to acquire cosmopolitan identities. Cross-disciplinary in nature, the investigations are informed by political, social and cultural history, reception studies, sociology and marketing and are largely based on archival research and interviews..
出版日期Book 2019
關(guān)鍵詞musicians; Poland; Cold War; Leonard Cohen; Intervision; production; international; cosmopolitan; music fest
版次1
doihttps://doi.org/10.1007/978-3-030-17034-9
isbn_softcover978-3-030-17036-3
isbn_ebook978-3-030-17034-9Series ISSN 2634-615X Series E-ISSN 2634-6168
issn_series 2634-615X
copyrightThe Editor(s) (if applicable) and The Author(s) 2019
The information of publication is updating

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Loopholes in the Iron Curtain: Obtaining Western Music in State Socialist Czechoslovakia in the 1970titutes of other socialist states. Besides analysing various ways of obtaining music and describing the different motivations for participating in the smuggling, selling or trading of Western records, the chapter also explores what the possession of precious records meant to their owners in terms of generating different kinds of capital.
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Authenticity and Orientalism: Cultural Appropriations in the Polish Alternative Music Scene in the 1 cultures. The social construction of authenticity in alternative lifestyles was connected to one’s perceived otherness from the social majority and at times ‘invented’ otherness against both the dominant culture and the suppressive political power.
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Eastern Europe as Punk Frontier own international networks, allowing them to tour throughout the European Union. The last part of the chapter examines the strategies underground Estonian clubs use to attract touring foreign bands. By analysing these strategies, we see certain principles that are in common with the European underground scene.
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Francesca Mastorci,Jacopo Agrimi cultures. The social construction of authenticity in alternative lifestyles was connected to one’s perceived otherness from the social majority and at times ‘invented’ otherness against both the dominant culture and the suppressive political power.
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Adolescent Pregnancy and Parentingolish audiences acquired in the 1990s. It argues that the collaboration was profitable for both the Yugoslav and Polish sides, resulting in records selling in high numbers and concert tours. However, it also points out that the Yugo-Polish collaboration was a parochial affair, whose success was limited to Poland.
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