Titlebook: Eastern European Popular Music in a Transnational Context; Beyond the Borders Ewa Mazierska,Zsolt Gy?ri Book 2019 The Editor(s) (if applica

Filament

書目名稱Eastern European Popular Music in a Transnational Context影響因子(影響力)




書目名稱Eastern European Popular Music in a Transnational Context影響因子(影響力)學科排名




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書目名稱Eastern European Popular Music in a Transnational Context網(wǎng)絡公開度學科排名




書目名稱Eastern European Popular Music in a Transnational Context被引頻次




書目名稱Eastern European Popular Music in a Transnational Context被引頻次學科排名




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書目名稱Eastern European Popular Music in a Transnational Context年度引用學科排名




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書目名稱Eastern European Popular Music in a Transnational Context讀者反饋學科排名

Myocyte

Semblance

Loopholes in the Iron Curtain: Obtaining Western Music in State Socialist Czechoslovakia in the 1970titutes of other socialist states. Besides analysing various ways of obtaining music and describing the different motivations for participating in the smuggling, selling or trading of Western records, the chapter also explores what the possession of precious records meant to their owners in terms of generating different kinds of capital.

愛哭

Authenticity and Orientalism: Cultural Appropriations in the Polish Alternative Music Scene in the 1 cultures. The social construction of authenticity in alternative lifestyles was connected to one’s perceived otherness from the social majority and at times ‘invented’ otherness against both the dominant culture and the suppressive political power.

莎草

Eastern Europe as Punk Frontier own international networks, allowing them to tour throughout the European Union. The last part of the chapter examines the strategies underground Estonian clubs use to attract touring foreign bands. By analysing these strategies, we see certain principles that are in common with the European underground scene.

慷慨不好

慷慨不好

CUB

Francesca Mastorci,Jacopo Agrimi cultures. The social construction of authenticity in alternative lifestyles was connected to one’s perceived otherness from the social majority and at times ‘invented’ otherness against both the dominant culture and the suppressive political power.

共同生活

Heart-Rate

Adolescent Pregnancy and Parentingolish audiences acquired in the 1990s. It argues that the collaboration was profitable for both the Yugoslav and Polish sides, resulting in records selling in high numbers and concert tours. However, it also points out that the Yugo-Polish collaboration was a parochial affair, whose success was limited to Poland.