Titlebook: Early Modern Women‘s Writing and the Rhetoric of Modesty; Patricia Pender Book 2012 Palgrave Macmillan, a division of Macmillan Publishers

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走調(diào)

ARCH

: Reading, Speech, and Silence in ,ss to the pivotal roles that reading, speech, and silence played in the religious debates of the English Reformation. Her reading of 1 Corinthians 7 provided scriptural authority for separating from her husband on the grounds of religious differences. She goaded the priests of Lincoln with her publi

synchronous

,‘A worme most abjecte’: ,as Reformation Strategy in Katherine Parr’s Prayers or Medytacions, staged before the king and his councilors when, in 1545, she was targeted with accusations of conspiracy and treason by the conservative Bishop of Winchester, Stephen Gardiner. Pleading that as a wife and woman, she submitted absolutely to her husband and king, Parr put into physical practice the .

紳士

苦笑

,‘This triall of my slender skill’: Inexpressibility and Interpretative Community in Aemilia Lanyer’y to impress the reader of her 1611 book with the scale of the apparently insurmountable task she has set herself. At the same time that she draws attention to the formidable proportions of her poetic project, Lanyer also implicitly underscores the stakes and the status of the enterprise she has und

苦笑

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確定

: Reading, Speech, and Silence in ,e of her reading practice. Her . negotiate rapid shifts in the cultural, religious, and legal discourses surrounding reading, speech, and silence in the last years of Henry VIII’s reign, illuminating one woman’s trenchant engagement with the Pauline prescriptions governing women’s religious expressi

NEXUS

,‘A worme most abjecte’: ,as Reformation Strategy in Katherine Parr’s Prayers or Medytacions,mploying humility topoi which referred obliquely to contemporary cultural discourses of women’s weakness, she moreover presented the devout woman’s relationship to God as the most humble, and therefore the most appropriate approach to ‘heauenlye medytacion.’