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Titlebook: Early Modern Women‘s Writing and the Rhetoric of Modesty; Patricia Pender Book 2012 Palgrave Macmillan, a division of Macmillan Publishers

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樓主: vitamin-D
11#
發(fā)表于 2025-3-23 12:15:40 | 只看該作者
: Mary Sidney, Modesty, and the History of the Book,eenth centuries, and survive in eighteen different manuscript copies.. Mary Sidney’s prefatory poems, however, survive together in only one extant copy, known as the Tixall manuscript. The Tixall manuscript is an elaborate presentation copy, transcribed by John Davies of Hereford in an elegant secre
12#
發(fā)表于 2025-3-23 15:44:09 | 只看該作者
,‘This triall of my slender skill’: Inexpressibility and Interpretative Community in Aemilia Lanyer’r title poem. Ongoing critical responses to the . have focused on the community of ‘good women’ Lanyer celebrates throughout the volume and that she is thought to have created in her dedications to powerful aristocratic women. These debates raise important methodological questions about the types of
13#
發(fā)表于 2025-3-23 21:41:17 | 只看該作者
14#
發(fā)表于 2025-3-23 22:43:04 | 只看該作者
https://doi.org/10.1007/978-3-8274-3066-3ns, and of kings, /…. For my mean pen are too superior things.’. A bravura example of the formula occurs in Queen Elizabeth’s 1566 oration at Oxford University, where her opening gambit is a peculiarly regal variant of the line, .:
15#
發(fā)表于 2025-3-24 03:50:07 | 只看該作者
https://doi.org/10.1007/978-3-662-48381-7e of her reading practice. Her . negotiate rapid shifts in the cultural, religious, and legal discourses surrounding reading, speech, and silence in the last years of Henry VIII’s reign, illuminating one woman’s trenchant engagement with the Pauline prescriptions governing women’s religious expressi
16#
發(fā)表于 2025-3-24 09:55:33 | 只看該作者
17#
發(fā)表于 2025-3-24 14:33:03 | 只看該作者
50 Schlüsselideen Digitale Kultureenth centuries, and survive in eighteen different manuscript copies.. Mary Sidney’s prefatory poems, however, survive together in only one extant copy, known as the Tixall manuscript. The Tixall manuscript is an elaborate presentation copy, transcribed by John Davies of Hereford in an elegant secre
18#
發(fā)表于 2025-3-24 17:53:53 | 只看該作者
19#
發(fā)表于 2025-3-24 20:13:01 | 只看該作者
https://doi.org/10.1007/978-3-8274-2381-8y is notoriously held to have been published without her permission when, in 1649, her brother-in-law John Woodbridge took a manuscript copy of her poems to London and printed them at his own expense.
20#
發(fā)表于 2025-3-25 00:26:35 | 只看該作者
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