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Titlebook: Early Modern Diplomacy, Theatre and Soft Power; The Making of Peace Nathalie Rivère de Carles Book 2016 The Editor(s) (if applicable) and T

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31#
發(fā)表于 2025-3-26 22:04:41 | 只看該作者
Springer Fachmedien Wiesbaden GmbH Westphalia (1648) that the genre famously referred to by Walter Benjamin as the Baroque . was born. Having allegedly brought a century of religious conflict to an end and, in its place, inaugurated a new era based on the ‘modern’ international system of states, the Treaty has come to inhabit a kind
32#
發(fā)表于 2025-3-27 03:52:20 | 只看該作者
Atta-ur-Rahman,Viqar Uddin Ahmadt, these conflicting relations became a source of inspiration for Italian playwrights who centred some of their tragedies on the relations between Venice and the Ottoman Empire. The conquest of Budapest, the siege of Vienna, the attack of the Famagusta fort in Cyprus and the Battle of Lepanto were t
33#
發(fā)表于 2025-3-27 09:05:49 | 只看該作者
Atta-ur-Rahman,Viqar Uddin Ahmadn, the ambassador is not identified solely as an actor but, more interestingly, as a character, as a rhetorical and a structural . for an idea, namely appeasement. At first, he seems to be reduced to an actor, but the word ‘comedian’ means more than performance. It refers to the genre of comedy and
34#
發(fā)表于 2025-3-27 10:02:09 | 只看該作者
14th International Probabilistic Workshop both as a room of state and as a privy space, a place for the successful deployment of soft, coercive power, was only beginning to be commonplace in the early seventeenth century when the play was first performed (1609–11). .’., stages the work of soft power diplomacy as a remedy for tyranny and as
35#
發(fā)表于 2025-3-27 16:27:58 | 只看該作者
https://doi.org/10.1007/978-3-322-96643-8e reign of James VI & I of England. James heartily disliked the hustle and bustle of city life and much preferred the retired privacy and ease of the country. What James most wished to escape from was the perplexing and exhausting diversity of counsel, the unending importunity of petitioners and the
36#
發(fā)表于 2025-3-27 20:25:18 | 只看該作者
37#
發(fā)表于 2025-3-27 23:18:50 | 只看該作者
38#
發(fā)表于 2025-3-28 03:11:42 | 只看該作者
https://doi.org/10.1057/978-1-137-43693-1Shakespeare; Renaissance art; Geopolitics; Early Modern drama; European drama; British and Irish Literatu
39#
發(fā)表于 2025-3-28 08:02:44 | 只看該作者
40#
發(fā)表于 2025-3-28 12:42:55 | 只看該作者
The Poetics of Diplomatic Appeasement in the Early Modern Era,onception of peace. The ambassadors had come to negotiate England’s help against Spanish rule in the Netherlands. Elizabeth was offered election as countess of Holland and was thus faced with the possibility of an open diplomatic and military conflict with Spain. Although Elizabeth did not altogethe
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