Titlebook: Early Modern Diplomacy, Theatre and Soft Power; The Making of Peace Nathalie Rivère de Carles Book 2016 The Editor(s) (if applicable) and T

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Springer Fachmedien Wiesbaden GmbHe contemporary playwrights’ political philosophy. The tensions on the world stage are reflected on the theatrical stage. .’., and its English version ., show the diplomat closer in spirit to the dramatists who expose the mechanisms of contemporary power games than to its rulers.

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Springer Fachmedien Wiesbaden GmbH the smaller duchies and cities of Protestant Silesia. I then turn to one of the . about which Benjamin wrote, Gryphius’ ., . (., ., 1647/1655) and read it as a commentary on the costs not of the war, but of the Westphalian peace negotiations as they played themselves out on Silesian ground.

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14th International Probabilistic Workshopenalties are severe, peace-making requires a more contemplative and timeless venue that facilitates shared wonder. Paulina’s gallery, with its rare sculpture by master artist Giulio Romano, is just such a venue. Culturally, the gallery was gendered masculine (a place for male connoisseurs to gather

Precursor

https://doi.org/10.1007/978-3-322-96643-8s at court, but they also met in informal marginal places such as gardens, parks, private houses and, on occasion, in an informal manner in the Presence Chamber. From an exploration of early modern diplomatic relations, we can identify the types of non-residential spaces of diplomatic exchanges and,

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