Titlebook: debbie tucker green; Critical Perspective Sian Adiseshiah,Jacqueline Bolton Book 2020 The Editor(s) (if applicable) and The Author(s) 2020

有害

Black Rage: Diasporic Empathy and Ritual in debbie tucker green’s transhistorical meditation on racism, gender and criminal (in)justice in .. In doing so, the chapter reveals how the play empathetically speaks to African American political and dramatic traditions while affirming black women’s experiences and, to quote the political slogan, emphasizing that ‘Black Lives Matter’.

Alveolar-Bone

debbie tucker green and (the Dialectics of) Dispossession: Reframing the Ethical Encounterossession is (always) in question, a process that invites audiences to think/feel the violence of this negation. This withholding of resolution creates, they argue, an aggressive but energizing demand for a different form of relationality.

Abominate

IRK

‘Almost, but Not Quite’: Reading debbie tucker green’s Dramaturgy inside British Playwriting Studiesd offers such a reading of tucker green’s . (2005) and . (2005). A counter-discursive approach can override normative reading practices, Tyler argues, thus demonstrating their constraints and the dramatic possibilities achieved in departing from them.

微枝末節(jié)

Yarns and Yearnings: Story-Layering, Signifyin’, and debbie tucker green’s Black-Feminist Angere that rails against systemic oppressions and women’s complicity in oppressive behaviours. Through the triangulation of form, language, and black feminism, Aston argues that the yarns tucker green weaves are yearnings for a world that is more ‘equal-righted’.

異端邪說下

sticking in the throat/keyword bitch: aesthetic discharge in debbie tucker green’s , and es affective charges and material histories of pain, causes audience members to undergo aesthetic experiences that ‘stick in the throat’. The dialogue resists pleasurable consumption, acting as a pointed reminder to audiences and of wider structures of privilege and oppression.

變形

Jumping to (and Away from) Conclusions: Rhythm and Temporality in debbie tucker green’s Dramae challenged to negotiate, and makes senses of, their experiences. tucker green’s drama is identified as distinctively associative and dis-closural, demonstrating how charged rhythmic uses of language and silence can activate disputes between individually and socially variant senses of temporality.

arcane

HEED

nd students the opportunity to engage in cutting-edge critic.This long-awaited book is the first full-length study of the work of the extraordinary contemporary black British playwright, debbie tucker green. Covering the period from 2000 (.Two Women.) to 2017 (.a profoundly affectionate, passionate

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