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Titlebook: debbie tucker green; Critical Perspective Sian Adiseshiah,Jacqueline Bolton Book 2020 The Editor(s) (if applicable) and The Author(s) 2020

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樓主
發(fā)表于 2025-3-21 17:56:40 | 只看該作者 |倒序瀏覽 |閱讀模式
書目名稱debbie tucker green
副標題Critical Perspective
編輯Sian Adiseshiah,Jacqueline Bolton
視頻videohttp://file.papertrans.cn/285/284885/284885.mp4
概述Is the first full-length study of the work of the extraordinary contemporary black British playwright, debbie tucker green.Offers scholars and students the opportunity to engage in cutting-edge critic
圖書封面Titlebook: debbie tucker green; Critical Perspective Sian Adiseshiah,Jacqueline Bolton Book 2020 The Editor(s) (if applicable) and The Author(s) 2020
描述.This long-awaited book is the first full-length study of the work of the extraordinary contemporary black British playwright, debbie tucker green. Covering the period from 2000 (.Two Women.) to 2017 (.a profoundly affectionate, passionate devotion to someone (-noun))., it offers scholars and students the opportunity to engage in cutting-edge critical debate engendered by tucker green’s innovative dramatic works for stage, television, and radio. This groundbreaking book includes contributions by a range of outstanding scholars, including black playwriting specialists, world-leading contemporary theatre scholars and some of the very best emerging researchers in the field. While always focused on the precision and detail of tucker green’s work, this book simultaneously reframes broader debates around contemporary drama and its politics, poses new questions of theatre, and provokes scholarly thinking in ways that, however obliquely, contribute to the change for which the plays agitate..
出版日期Book 2020
關鍵詞Comtemporary British Theatre; Playwright; Director; Race; Identity; Black Women‘s Playwriting; Diasporic A
版次1
doihttps://doi.org/10.1007/978-3-030-34581-5
isbn_softcover978-3-030-34583-9
isbn_ebook978-3-030-34581-5
copyrightThe Editor(s) (if applicable) and The Author(s) 2020
The information of publication is updating

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沙發(fā)
發(fā)表于 2025-3-21 21:10:05 | 只看該作者
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發(fā)表于 2025-3-22 03:03:11 | 只看該作者
https://doi.org/10.1007/978-3-030-34581-5Comtemporary British Theatre; Playwright; Director; Race; Identity; Black Women‘s Playwriting; Diasporic A
地板
發(fā)表于 2025-3-22 04:41:55 | 只看該作者
978-3-030-34583-9The Editor(s) (if applicable) and The Author(s) 2020
5#
發(fā)表于 2025-3-22 11:36:10 | 只看該作者
Positive Systems with Retarded Delays,In September 2017 director Izzy Rabey directed the regional premiere of debbie tucker green’s . (2015) for Run Amok at The Other Room, Cardiff. In this interview she talks to Sian Adiseshiah and Jacqueline Bolton about casting, rehearsal, rhythm and musicality, victimhood, language, audiences and theatre in Wales.
6#
發(fā)表于 2025-3-22 13:06:08 | 只看該作者
Reflections on ,: Izzy Rabey in Conversation with Sian Adiseshiah and Jacqueline BoltonIn September 2017 director Izzy Rabey directed the regional premiere of debbie tucker green’s . (2015) for Run Amok at The Other Room, Cardiff. In this interview she talks to Sian Adiseshiah and Jacqueline Bolton about casting, rehearsal, rhythm and musicality, victimhood, language, audiences and theatre in Wales.
7#
發(fā)表于 2025-3-22 17:16:00 | 只看該作者
Introduction to the Boundary Layer). It reflects on scholarly debates within tucker green scholarship, teasing out key questions that are pertinent to how her work has been understood. The chapter articulates a primary concern of this volume, which is not only to emphasize the central importance of tucker green as a black woman play
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發(fā)表于 2025-3-22 21:46:06 | 只看該作者
Further Properties of the Laplace Transform, the history and persistence of institutional racism in the British criminal justice system. However, it is only in the play’s final moments that tucker green’s intentions to explore themes of racial violence within a broader historical and geographical context become clear. This chapter argues that
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發(fā)表于 2025-3-23 03:07:45 | 只看該作者
10#
發(fā)表于 2025-3-23 08:05:17 | 只看該作者
Basic Concepts, Protocols and Terminology, and . (2015). In a divergence from a scholarly consensus that interprets the drama as providing edifying ethical experiences, the authors instead suggest that tucker green’s plays withhold a straightforward ethical encounter and make such a withholding a key way through which the political power of
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