Titlebook: debbie tucker green; Critical Perspective Sian Adiseshiah,Jacqueline Bolton Book 2020 The Editor(s) (if applicable) and The Author(s) 2020

實體

書目名稱debbie tucker green影響因子(影響力)




書目名稱debbie tucker green影響因子(影響力)學(xué)科排名




書目名稱debbie tucker green網(wǎng)絡(luò)公開度




書目名稱debbie tucker green網(wǎng)絡(luò)公開度學(xué)科排名




書目名稱debbie tucker green被引頻次




書目名稱debbie tucker green被引頻次學(xué)科排名




書目名稱debbie tucker green年度引用




書目名稱debbie tucker green年度引用學(xué)科排名




書目名稱debbie tucker green讀者反饋




書目名稱debbie tucker green讀者反饋學(xué)科排名

是貪求

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特別容易碎

https://doi.org/10.1007/978-3-030-34581-5Comtemporary British Theatre; Playwright; Director; Race; Identity; Black Women‘s Playwriting; Diasporic A

半球

978-3-030-34583-9The Editor(s) (if applicable) and The Author(s) 2020

aspersion

Positive Systems with Retarded Delays,In September 2017 director Izzy Rabey directed the regional premiere of debbie tucker green’s . (2015) for Run Amok at The Other Room, Cardiff. In this interview she talks to Sian Adiseshiah and Jacqueline Bolton about casting, rehearsal, rhythm and musicality, victimhood, language, audiences and theatre in Wales.

gustation

Reflections on ,: Izzy Rabey in Conversation with Sian Adiseshiah and Jacqueline BoltonIn September 2017 director Izzy Rabey directed the regional premiere of debbie tucker green’s . (2015) for Run Amok at The Other Room, Cardiff. In this interview she talks to Sian Adiseshiah and Jacqueline Bolton about casting, rehearsal, rhythm and musicality, victimhood, language, audiences and theatre in Wales.

gustation

Introduction to the Boundary Layer). It reflects on scholarly debates within tucker green scholarship, teasing out key questions that are pertinent to how her work has been understood. The chapter articulates a primary concern of this volume, which is not only to emphasize the central importance of tucker green as a black woman play

Intersect

Further Properties of the Laplace Transform, the history and persistence of institutional racism in the British criminal justice system. However, it is only in the play’s final moments that tucker green’s intentions to explore themes of racial violence within a broader historical and geographical context become clear. This chapter argues that

deforestation

meditation

Basic Concepts, Protocols and Terminology, and . (2015). In a divergence from a scholarly consensus that interprets the drama as providing edifying ethical experiences, the authors instead suggest that tucker green’s plays withhold a straightforward ethical encounter and make such a withholding a key way through which the political power of