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Titlebook: Dynamic Products; Shaping Information Sara Colombo Book 2016 The Author(s) 2016 Sensory Communications.Dynamic Aesthetics.Aesthetics of In

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樓主: 娛樂某人
31#
發(fā)表于 2025-3-26 23:33:21 | 只看該作者
Roman Mennicken Dr.,Boris Augurzky Dr.this work. This review is helpful to understand how disciplines different from design have approached this issue, their aims and results, in order to use them as references and starting points to further direct this investigation.
32#
發(fā)表于 2025-3-27 04:18:57 | 只看該作者
33#
發(fā)表于 2025-3-27 05:16:33 | 只看該作者
Merging Digital and Physical: Tangible Interactions,this work. This review is helpful to understand how disciplines different from design have approached this issue, their aims and results, in order to use them as references and starting points to further direct this investigation.
34#
發(fā)表于 2025-3-27 11:27:26 | 只看該作者
Exploring Dynamic Products by Case Studies,guage of interfaces. The main aim is to give an initial reading of this emerging area and to propose a first descriptive framework, by identifying a number of parameters useful for the description and classification of dynamic products.
35#
發(fā)表于 2025-3-27 17:33:18 | 只看該作者
2191-530X need to merge the virtual and the material in the information society by exploiting technological possibilities in order to create more meaningful and involving experiences..978-3-319-33116-4978-3-319-33117-1Series ISSN 2191-530X Series E-ISSN 2191-5318
36#
發(fā)表于 2025-3-27 20:11:30 | 只看該作者
Altersmanagement in Südkorea und Deutschlandanalysis of products as media, by exploring and describing the ways products convey voluntary or involuntary messages by their physical or digital features. The different levels of product-based communication will be analysed, with a particular attention to their features and their effects on the ov
37#
發(fā)表于 2025-3-28 00:21:42 | 只看該作者
38#
發(fā)表于 2025-3-28 05:07:46 | 只看該作者
39#
發(fā)表于 2025-3-28 06:20:30 | 只看該作者
Die aktuelle Situation der deutschen qualitativen Bild-, Film- und Videoanalyse1,ben, mit dem Verfahren der hermeneutischen Wissenssoziologie (vgl. Hitzler, Reichertz, Schr?er 1999) zu interpretieren. Dies kann und will nur ein erster Versuch sein, der vor allem das konkrete Vorgehen bei der hermeneutischen Analyse laufender Bilder (vgl. Reichertz 2010a) beschreiben und plausibi
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