Titlebook: Dynamic Products; Shaping Information Sara Colombo Book 2016 The Author(s) 2016 Sensory Communications.Dynamic Aesthetics.Aesthetics of In

娛樂某人

書目名稱Dynamic Products影響因子(影響力)




書目名稱Dynamic Products影響因子(影響力)學(xué)科排名




書目名稱Dynamic Products網(wǎng)絡(luò)公開度




書目名稱Dynamic Products網(wǎng)絡(luò)公開度學(xué)科排名




書目名稱Dynamic Products被引頻次




書目名稱Dynamic Products被引頻次學(xué)科排名




書目名稱Dynamic Products年度引用




書目名稱Dynamic Products年度引用學(xué)科排名




書目名稱Dynamic Products讀者反饋




書目名稱Dynamic Products讀者反饋學(xué)科排名

AMOR

Merging Digital and Physical: Tangible Interactions,ysical (material) world, especially in the areas of Ubiquitous Computing and Tangible Interactions. Three typologies of Tangible Interactions are identified according to their aims, which are: (a) helping users manipulate virtual data existing in computer machines; (b) giving access and control to t

innate

The Emerging Area of Dynamic Products,so introduces the concept of dynamic aesthetics, which stems from the merging of physical with digital in the field of product design. The relation between the object’s physical and temporal form is explained, as means to create aesthetic experiences. The concept of . refers to artefacts showing sen

語源學(xué)

boisterous

d-limonene

Exploring Dynamic Products by User Experience, limits related to the adoption of this new kind of communication, it is necessary to consider the effects it has on final users. The goal of this study was to perform a preliminary investigation from the user’s point of view, in order to extrapolate insights about users’ impressions and disposals t

d-limonene

Findings,e beginning of this study. Four . of dynamic products, which highlight the main advantages of dynamic products compared to interfaces, are highlighted. In addition, four . useful for designers to map information into sensory transformations are proposed.

growth-factor

geometrician

STERN