Titlebook: Dramatizations of Social Change: Herman Heijermans’Plays as Compared with Selected Dramas by Ibsen, ; Hilda Neck Yoder Book 1978 Springer

避開

vocation

https://doi.org/10.1007/978-94-009-9286-3art; drama; future; interpret; language; poetry; tradition

袖章

978-94-009-9288-7Springer Science+Business Media Dordrecht 1978

watertight,

尖牙

畸形

冒號(hào)

Robert E. Shope,James M. Meegan plays. Flaxman searches for the sympathy with workers under a . economy which he finds in .. To him, “the Socialism in .… is so much more a matter of induction than in the earlier plays, that many of the critics praised the play for its lack of tendenz” (p. 114). He himself wishes that Heijermans h

較早

Virtual Reality, Training’s Future? in der Welt der ist, der am einsamsten steht.”. In his role as the gadfly of the Dutch theater, Heijermans took up the role of Doctor Stockmann himself; this lonely, stubborn rebel haunts his dramatic work as well — fighting against a world which has replaced justice with injustice, love with money

instate

Conclusion, words, the plays end before the twist in the plot. All these plays are written in what Northrop Frye calls the second phase of the . of comedy, which “in its simplest form, is a comedy in which the hero does not transform a humorous society but simply escapes or runs away from it, leaving its struc

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