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Titlebook: Dramatizations of Social Change: Herman Heijermans’Plays as Compared with Selected Dramas by Ibsen, ; Hilda Neck Yoder Book 1978 Springer

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發(fā)表于 2025-3-21 19:05:45 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
書(shū)目名稱Dramatizations of Social Change: Herman Heijermans’Plays as Compared with Selected Dramas by Ibsen,
編輯Hilda Neck Yoder
視頻videohttp://file.papertrans.cn/283/282784/282784.mp4
叢書(shū)名稱Bibliotheca Neerlandica extra muros
圖書(shū)封面Titlebook: Dramatizations of Social Change: Herman Heijermans’Plays as Compared with Selected Dramas by Ibsen, ; Hilda Neck Yoder Book 1978 Springer
描述Herman Heijermans (1864-1924) was convinced that he lived in an "overgangs- 1 tijdperk," a transitional period. As a young man in the eighteen nineties, he rejected those values and life styles which he felt belonged to the past period dominated by the bourgeoisie, and sought out situations and a profession which would attune him to the future when, he hoped, the proletariat would 2 be in power. He left the conservative business milieu of Rotterdam in 1892 and went to Amsterdam- then teeming with radical ideas. At first, Heijermans was attracted to a group of poets, de tachtigers, who were claiming to have enlivened the stale tradition of Dutch poetry by discovering language and beauty in a totally new way; but soon he felt them to be elitist. Then, in 1895, he became a member of the newly founded Dutch Social Democratic Workers Party. He alienated himself from the literary circles by claiming that art should be socialistic and by rejecting the class separation between artists and workers. He felt himself to be one with the proletariat and, through them, with "The New Life" and "The New Humanity. " Stimulated by the ongoing theater revival, which he interpreted as an attempt to cha
出版日期Book 1978
關(guān)鍵詞art; drama; future; interpret; language; poetry; tradition
版次1
doihttps://doi.org/10.1007/978-94-009-9286-3
isbn_softcover978-94-009-9288-7
isbn_ebook978-94-009-9286-3
copyrightSpringer Science+Business Media Dordrecht 1978
The information of publication is updating

書(shū)目名稱Dramatizations of Social Change: Herman Heijermans’Plays as Compared with Selected Dramas by Ibsen, 影響因子(影響力)




書(shū)目名稱Dramatizations of Social Change: Herman Heijermans’Plays as Compared with Selected Dramas by Ibsen, 影響因子(影響力)學(xué)科排名




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書(shū)目名稱Dramatizations of Social Change: Herman Heijermans’Plays as Compared with Selected Dramas by Ibsen, 網(wǎng)絡(luò)公開(kāi)度學(xué)科排名




書(shū)目名稱Dramatizations of Social Change: Herman Heijermans’Plays as Compared with Selected Dramas by Ibsen, 被引頻次




書(shū)目名稱Dramatizations of Social Change: Herman Heijermans’Plays as Compared with Selected Dramas by Ibsen, 被引頻次學(xué)科排名




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Book 1978s, he rejected those values and life styles which he felt belonged to the past period dominated by the bourgeoisie, and sought out situations and a profession which would attune him to the future when, he hoped, the proletariat would 2 be in power. He left the conservative business milieu of Rotterd
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Visual Data Insights Using SAS ODS Graphics95, he became a member of the newly founded Dutch Social Democratic Workers Party. He alienated himself from the literary circles by claiming that art should be socialistic and by rejecting the class separation between artists and workers. He felt himself to be one with the proletariat and, through them, with “The New Life” and “The New Humanity.”
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發(fā)表于 2025-3-22 15:58:55 | 只看該作者
Robert E. Shope,James M. Meeganare quite different from each other.. He assumes that since Heijermans is a socialist he must be saying in this play (as he did in .) that the social order which tolerates injustices is at fault: “Ook hier is het dus weer: niet een individu draagt de schuld, maar de maatschappij die dergelijke toestanden tolereert” (p. 70).
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