Titlebook: Distributed Creativity; Thinking Outside the Vlad Petre Gl?veanu Book 2014 The Author(s) 2014 collaborative creativity.creative expression.

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書目名稱Distributed Creativity影響因子(影響力)




書目名稱Distributed Creativity影響因子(影響力)學(xué)科排名




書目名稱Distributed Creativity網(wǎng)絡(luò)公開度




書目名稱Distributed Creativity網(wǎng)絡(luò)公開度學(xué)科排名




書目名稱Distributed Creativity被引頻次




書目名稱Distributed Creativity被引頻次學(xué)科排名




書目名稱Distributed Creativity年度引用




書目名稱Distributed Creativity年度引用學(xué)科排名




書目名稱Distributed Creativity讀者反饋




書目名稱Distributed Creativity讀者反饋學(xué)科排名

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,From Cognitive to Cultural Theories of ‘Distribution’: A Creativity Framework,buted creativity. While extended mind and distributed cognition theories share the assumption that psychological processes don’t take place solely inside our heads, they continue to reproduce an unproductive dichotomy between the ‘internal’ and ‘external’ world. In contrast, cultural psychological v

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Why do We Need to Distribute Creativity?,usly socially, materially and temporally distributed. Several theoretical and practical consequences of adopting a view of creativity as a distributed process are presented. These concern the definition of creativity, current dichotomies between celebrated and mundane creations, the role of individu

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https://doi.org/10.1007/978-94-010-1636-0 and acts from dialogue and debate regarding their meaning and their value. Ultimately, creativity is a social act even when performed in solitude. This is because creators work with other people in mind and, during their activity, they necessarily place themselves as ‘others’ in relation to their own developing creations.

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https://doi.org/10.1007/978-3-319-70632-0ontrary, it can put up its own resistance to the intentions of creative people or groups. The chapter ends with discussion of how creative agency, as an emergent phenomenon, is constructed in the encounter between person and the materiality of the world.

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https://doi.org/10.1007/978-94-010-1636-0ed quality of what it means to act creatively in and on the world. The example of how research on craft activities can help us unpack important ideas regarding distributed creativity is discussed, as well as the general organisation of the book.