Titlebook: Distributed Creativity; Thinking Outside the Vlad Petre Gl?veanu Book 2014 The Author(s) 2014 collaborative creativity.creative expression.

Accord

https://doi.org/10.1007/978-94-010-1636-0nt, as well as systemic ways of theorising creativity, a framework is proposed that articulates creative actors, audiences, actions, artefacts and affordances. Three lines of distribution of creative acts are embedded within this model: social, material and temporal.

Fretful

缺陷

HUMID

,From Cognitive to Cultural Theories of ‘Distribution’: A Creativity Framework,nt, as well as systemic ways of theorising creativity, a framework is proposed that articulates creative actors, audiences, actions, artefacts and affordances. Three lines of distribution of creative acts are embedded within this model: social, material and temporal.

Texture

吹牛者

虛假

Creativity and Materiality,ontrary, it can put up its own resistance to the intentions of creative people or groups. The chapter ends with discussion of how creative agency, as an emergent phenomenon, is constructed in the encounter between person and the materiality of the world.

發(fā)誓放棄

形狀

Orchiectomy

Book 2014ind or more precisely, that the human mind extends through the means of action into the world. The notion of ‘distributed creativity’ is not commonly used within the literature and yet it has the potential to revolutionise the way we think about creativity, from how we define and measure it to what