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Titlebook: Discovering Shakespeare‘s Meaning; Leah Scragg Book 1988 Palgrave Macmillan, a division of Macmillan Publishers Limited 1988 knowledge.pla

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發(fā)表于 2025-3-21 17:48:42 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
書目名稱Discovering Shakespeare‘s Meaning
編輯Leah Scragg
視頻videohttp://file.papertrans.cn/282/281029/281029.mp4
叢書名稱Contemporary Interpretations of Shakespeare
圖書封面Titlebook: Discovering Shakespeare‘s Meaning;  Leah Scragg Book 1988 Palgrave Macmillan, a division of Macmillan Publishers Limited 1988 knowledge.pla
出版日期Book 1988
關(guān)鍵詞knowledge; play; prose; William Shakespeare
版次1
doihttps://doi.org/10.1007/978-1-349-08661-0
isbn_ebook978-1-349-08661-0Series ISSN 2947-1206 Series E-ISSN 2947-1214
issn_series 2947-1206
copyrightPalgrave Macmillan, a division of Macmillan Publishers Limited 1988
The information of publication is updating

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沙發(fā)
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板凳
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地板
發(fā)表于 2025-3-22 05:10:40 | 只看該作者
Grundlagen der Strategietransformation,d (cf. Marlowe’s .) define the author’s aims and intentions (cf. Jonson’s .) or apologize for the deficiencies of the coming performance (cf. Lyly’s .). The effect of such introductory speeches is to heighten the spectator’s awareness of the theatrical representation as artifice.
5#
發(fā)表于 2025-3-22 11:38:05 | 只看該作者
Plays within Plays,d (cf. Marlowe’s .) define the author’s aims and intentions (cf. Jonson’s .) or apologize for the deficiencies of the coming performance (cf. Lyly’s .). The effect of such introductory speeches is to heighten the spectator’s awareness of the theatrical representation as artifice.
6#
發(fā)表于 2025-3-22 16:28:57 | 只看該作者
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發(fā)表于 2025-3-22 19:07:04 | 只看該作者
Martin Endre?,Lukas Clemens,Benjamin Ramppants favour long sentences and polysyllabic words, while academics deal in abstract ideas. When the dialogue assigned to such characters is analysed, however, it quickly becomes apparent how remote their language is from day-to-day usage.
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發(fā)表于 2025-3-22 23:08:05 | 只看該作者
Strategisches Frühwarninformationssystemplay to play. The secondary actions may duplicate the events of the main plot, universalizing the issues involved, or they may contrast with the principal action to allow the main plot’s concerns to be viewed from a different perspective. In every instance, however, the subsidiary actions contribute
9#
發(fā)表于 2025-3-23 04:24:07 | 只看該作者
Strategiewerkzeuge aus der Praxislatively late stage. The earlier chapters of this book have been designed to demonstrate that the meaning of a Shakespearian play does not derive exclusively from the progress of its central figures; it is also a product of the kind of dramatic language that is employed, the disposition of the chara
10#
發(fā)表于 2025-3-23 06:59:54 | 只看該作者
Strategiewerkzeuge aus der Praxis, as noted in Chapter 5, to the twentieth-century sensibility, fostering a character-orientated approach to the plays, and affording the supreme illustration, for many lovers of Shakespeare, of the dramatist’s continuing relevance or modernity.
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