Titlebook: Discovering Shakespeare‘s Meaning; Leah Scragg Book 1988 Palgrave Macmillan, a division of Macmillan Publishers Limited 1988 knowledge.pla

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Klassische Wertkettenanalyse (Supply Chain)on of the theatre audience is drawn to the artificiality of the stage spectacle varies considerably from play to play. At one extreme Shakespeare may create the illusion of simply presenting the spectator with a ‘slice of life’, ungoverned by artistic intervention. In the Eastcheap scenes of ., for

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The Treatment of Character,latively late stage. The earlier chapters of this book have been designed to demonstrate that the meaning of a Shakespearian play does not derive exclusively from the progress of its central figures; it is also a product of the kind of dramatic language that is employed, the disposition of the chara

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The Use of the Soliloquy,, as noted in Chapter 5, to the twentieth-century sensibility, fostering a character-orientated approach to the plays, and affording the supreme illustration, for many lovers of Shakespeare, of the dramatist’s continuing relevance or modernity.

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Martin Endre?,Lukas Clemens,Benjamin Rampply composed — blank verse. Accustomed, through television, to a kind of dramatic language which appears to reflect contemporary speech, the twentieth-century reader finds it difficult to adjust to an art form which appears to have more in common with ‘poetry’ than with the art of the theatre. But, i

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