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Titlebook: Digital Oratory as Discursive Practice; From the Podium to t Fiona Rossette-Crake Book 2022 The Editor(s) (if applicable) and The Author(s)

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發(fā)表于 2025-3-25 04:48:54 | 只看該作者
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發(fā)表于 2025-3-25 09:33:54 | 只看該作者
Postdisciplinary Studies in Discoursehttp://image.papertrans.cn/d/image/279578.jpg
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發(fā)表于 2025-3-25 12:24:13 | 只看該作者
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發(fā)表于 2025-3-25 16:20:01 | 只看該作者
Mining Knowledge from Complex Dataigital medium engenders its own specific “discursive divide” that is materialised by the screen. When combined with the asymmetrical speaker-addressee relation that is intrinsic to oratory, the divide requires negotiation via a number of strategies. After discussing the new types of setups that resu
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發(fā)表于 2025-3-25 21:56:30 | 只看該作者
https://doi.org/10.1007/978-3-540-70801-8adition of . and .. With the advent of the “New Oratory” (from the year 2006 onwards), digitalised forms of oratory dispensed with the lectern. This has a number of consequences on delivery. For instance, because there is no longer a lectern upon which to place a written script, orators resort more
26#
發(fā)表于 2025-3-26 01:22:42 | 只看該作者
https://doi.org/10.1007/978-3-540-70801-8ole in the construal of meaning. They also introduce new challenges in terms of the additional potential discursive divides that they incur. For instance, the slideshow construes meanings at a number of levels (ideational, textual, interpersonal), but raises questions in terms of polyfocality and th
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發(fā)表于 2025-3-26 04:48:11 | 只看該作者
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發(fā)表于 2025-3-26 09:51:01 | 只看該作者
Masahiro Inuiguchi,Tetsuzo Taninoes emphasis not only on corporate but also on personal branding. It also examines the collapse of the “public”/ “private” divide (accelerated by the COVID-19 pandemic), which has seen public speaking go “private,” and adopt intimate scenographies that place emphasis on the backstage. It concludes wi
29#
發(fā)表于 2025-3-26 13:18:23 | 只看該作者
Sankar K. Pal,Lech Polkowski,Andrzej Skowrons between pre-discursive, discursive, and interdiscursive ethos, it defines a number of characteristics that underscore the generic ethos of the digital speaker, namely an ethos that is personal, ethical, informal, and friendly. These characteristics are illustrated by various examples that belong t
30#
發(fā)表于 2025-3-26 19:42:41 | 只看該作者
https://doi.org/10.1007/978-3-8274-2993-3relation and the discursive divide that is intrinsic to oratory. According to this setup, the distance between participants is amplified, and the speaker is invested with the role of quasi mediator in order to bring together a community. The setup, which, at the formal level, depends notably upon th
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