Titlebook: Digital Oratory as Discursive Practice; From the Podium to t Fiona Rossette-Crake Book 2022 The Editor(s) (if applicable) and The Author(s)

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Arrhythmia

https://doi.org/10.1007/978-3-540-70801-8out a “discursive space” for the delivery. The second part of the chapter looks more closely at . and the ways the speaker physically occupies the space that is the stage, be it the material stage, or, in cases of fully digitalised oratory, the metaphorical stage that is provided by the digital inte

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DOTE

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Oratory as Rhetorical Practice: The Renewal of , and ,out a “discursive space” for the delivery. The second part of the chapter looks more closely at . and the ways the speaker physically occupies the space that is the stage, be it the material stage, or, in cases of fully digitalised oratory, the metaphorical stage that is provided by the digital inte

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Oratory as Social Practice (I): Discursive Genre, Culture, and Power,the Anglo-American context, reflect Anglo-American communication norms, as informed notably by corporate, neoliberal trends. These practices therefore leave little room for variation depending on language and/or culture.

光亮

Approaching Oratory in the Twenty-First Century, Johnson, Volodymyr Zelensky, Charli D’Amelio). These are placed within the wider landscape of digital forms of public address that have developed over the first quarter of the new century (e.g. TED talks, keynote addresses, three-minute thesis presentations), which, collectively, mark a renewal of

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Projection