| 書(shū)目名稱(chēng) | Digital Carnivalesque |
| 副標(biāo)題 | Power Discourse and |
| 編輯 | Hoi-Yi Katy Kan |
| 視頻video | http://file.papertrans.cn/280/279144/279144.mp4 |
| 概述 | Proposes new scholarly lenses for readers to examine the aestheticisation of hegemonic ideologies in the domain of critical digital literacy.Contributes to cultural studies scholarship by summarising |
| 叢書(shū)名稱(chēng) | Cultural Studies and Transdisciplinarity in Education |
| 圖書(shū)封面 |  |
| 描述 | .This book challenges the framing of comedic acts as apolitical and it adopts a multimodal critical discourse approach to interrogate the performance of comedy as a form of power. It proposes using Bakhtin’s carnivalesque as the analytic tool to distil for readers key differences between humour as banal and humour as critical (and political) in today’s social media..Drawing from critical theory and cultural studies, this book takes an interdisciplinary approach in formulating a contemporary view of power that reflects social realities not only in the digital economy but also in a world that is increasingly authoritarian. With the proposition of newer theoretical lenses in this book, scholars and social scientists can then find a way to shift the conversation to uncover the evolving voices of (existing and newer) power holders in the shared digital space; and to view current social realities as a continual project in unpacking and understanding the adaptive ways of the human spirit.. |
| 出版日期 | Book 2020 |
| 關(guān)鍵詞 | critical discourse analysis; critical digital literacy and cultural studies; carnivalesque politics; ca |
| 版次 | 1 |
| doi | https://doi.org/10.1007/978-981-15-2051-8 |
| isbn_softcover | 978-981-15-2053-2 |
| isbn_ebook | 978-981-15-2051-8Series ISSN 2345-7708 Series E-ISSN 2345-7716 |
| issn_series | 2345-7708 |
| copyright | Springer Nature Singapore Pte Ltd. 2020 |
|Archiver|手機(jī)版|小黑屋|
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