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Titlebook: Dickens and the Italians in ‘Pictures from Italy‘; Germana Cubeta Book 2020 The Editor(s) (if applicable) and The Author(s), under exclusi

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樓主: Lipase
21#
發(fā)表于 2025-3-25 06:36:25 | 只看該作者
22#
發(fā)表于 2025-3-25 08:45:04 | 只看該作者
23#
發(fā)表于 2025-3-25 13:21:00 | 只看該作者
https://doi.org/10.1007/978-3-030-47429-4Charles Dickens; Italy; travel writing; corpus linguistics; body language; Pictures from Italy
24#
發(fā)表于 2025-3-25 19:08:06 | 只看該作者
The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl
25#
發(fā)表于 2025-3-25 21:13:25 | 只看該作者
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發(fā)表于 2025-3-26 01:38:31 | 只看該作者
27#
發(fā)表于 2025-3-26 04:53:42 | 只看該作者
https://doi.org/10.1007/978-3-319-05491-9ecause of his desire to understand cultural differences and explain contradictions. Dickens’s intellectual commitment in support of Italian independence along with his friendship with the Italian expatriate Giuseppe Mazzini allow him to investigate political and social dynamics and see Italy as more
28#
發(fā)表于 2025-3-26 12:20:21 | 只看該作者
Human-Centered Social Media Analyticss that?stylistic and thematic choices reveal that . only apparently offers the conventional scaffolding of a travel book. What it really does is to display the modes of Dickens’s vocation as a novelist and human observant. The book exhibits forms of visual representation that change the concept of t
29#
發(fā)表于 2025-3-26 16:27:52 | 只看該作者
Lecture Notes in Computer Sciencepus analysis of . explores Dickens’s strategies for describing otherness. A quantitative and qualitative analysis highlights that the writer is interested in shaping Italian identities and that, differently from other travel books, in . landscapes are only the background for a broader socio-cultural
30#
發(fā)表于 2025-3-26 18:07:18 | 只看該作者
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