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Titlebook: Dickens and the Italians in ‘Pictures from Italy‘; Germana Cubeta Book 2020 The Editor(s) (if applicable) and The Author(s), under exclusi

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樓主
發(fā)表于 2025-3-21 17:55:45 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
書(shū)目名稱Dickens and the Italians in ‘Pictures from Italy‘
編輯Germana Cubeta
視頻videohttp://file.papertrans.cn/272/271006/271006.mp4
概述Unites two burgeoning fields of academic inquiry: Charles Dickens studies and travel writing.Uses a corpus linguistics methodology.Offers a fresh interpretation of Dickens‘ Pictures From Italy
圖書(shū)封面Titlebook: Dickens and the Italians in ‘Pictures from Italy‘;  Germana Cubeta Book 2020 The Editor(s) (if applicable) and The Author(s), under exclusi
描述This work explores Dickens’s perception of Italy as it appears in the travel book?.Pictures from Italy.. Corpus methodologies, alongside the notion of intersectionality,?display the writer’s multi-faceted interpretation of the Italians and his efforts?to highlight their multidimensionality and heterogeneity. The book debates that?.Pictures from Italy.?departs from conventions – it investigates the function of travel?in the construction of Italian identity and discusses Dickens’s relationship with Italy.?Corpus linguistics methodologies analyse the language of the book and shed new.light on the relationship between body language and culture..
出版日期Book 2020
關(guān)鍵詞Charles Dickens; Italy; travel writing; corpus linguistics; body language; Pictures from Italy
版次1
doihttps://doi.org/10.1007/978-3-030-47429-4
isbn_ebook978-3-030-47429-4
copyrightThe Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl
The information of publication is updating

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沙發(fā)
發(fā)表于 2025-3-21 22:43:43 | 只看該作者
Italy Seen from New Angles,splay the modes of Dickens’s vocation as a novelist and human observant. The book exhibits forms of visual representation that change the concept of the picturesque associated with the country. References to dioramas and magic lanterns and lexicon regarding light and colour offer a cinematic perception of culture.
板凳
發(fā)表于 2025-3-22 01:55:40 | 只看該作者
Book 2020ogeneity. The book debates that?.Pictures from Italy.?departs from conventions – it investigates the function of travel?in the construction of Italian identity and discusses Dickens’s relationship with Italy.?Corpus linguistics methodologies analyse the language of the book and shed new.light on the relationship between body language and culture..
地板
發(fā)表于 2025-3-22 05:30:33 | 只看該作者
https://doi.org/10.1007/978-3-319-05491-9 than just a picturesque land. His attempt to master the Italian language and the influences that the Italian novelist Alessandro Manzoni had on his work offer insight into the writer’s idea of Italy and allow us to understand his role of traveller and social observant.
5#
發(fā)表于 2025-3-22 10:33:07 | 只看該作者
Lecture Notes in Computer Science analysis. A corpus approach displays the relationship between local functions and meaning and sheds light on Dickens’s view of Italian heterogeneity. The writer displays?a wide gallery of Italians that offers insight into?contemporary society and tries to free the country from preconceived notions.
6#
發(fā)表于 2025-3-22 15:41:21 | 只看該作者
7#
發(fā)表于 2025-3-22 19:48:39 | 只看該作者
The Italians in , analysis. A corpus approach displays the relationship between local functions and meaning and sheds light on Dickens’s view of Italian heterogeneity. The writer displays?a wide gallery of Italians that offers insight into?contemporary society and tries to free the country from preconceived notions.
8#
發(fā)表于 2025-3-22 23:44:12 | 只看該作者
9#
發(fā)表于 2025-3-23 02:42:41 | 只看該作者
https://doi.org/10.1007/978-981-97-0779-9ntersectionality help display Dickens’s multi-faceted interpretation of the Italians and his intention of highlighting their multidimensionality and heterogeneity, that were often made invisible by single-axis category representations. He looked at Italy from new angles and re-imagined places and people.
10#
發(fā)表于 2025-3-23 07:01:37 | 只看該作者
Human-Centered Social Media Analyticssplay the modes of Dickens’s vocation as a novelist and human observant. The book exhibits forms of visual representation that change the concept of the picturesque associated with the country. References to dioramas and magic lanterns and lexicon regarding light and colour offer a cinematic perception of culture.
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