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Titlebook: Design Anthropology; Object Culture in th Alison J. Clarke Book 2011Latest edition Springer-Verlag Vienna 2011 Anthropology.Architecture.Ar

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發(fā)表于 2025-3-21 18:58:36 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
書(shū)目名稱(chēng)Design Anthropology
副標(biāo)題Object Culture in th
編輯Alison J. Clarke
視頻videohttp://file.papertrans.cn/269/268348/268348.mp4
概述First ever volume to address this hot topic Contributions by leading innovators across design, corporate research and anthropology Appeals to every designer, corporation, media concern and academy dea
叢書(shū)名稱(chēng)Edition Angewandte
圖書(shū)封面Titlebook: Design Anthropology; Object Culture in th Alison J. Clarke Book 2011Latest edition Springer-Verlag Vienna 2011 Anthropology.Architecture.Ar
描述.“Design Anthropology” brings together a unique range of cutting-edge design theorists and social scientists to explore the changing object culture of the 21st century. Decades ago, product designers utilised basic market research to fine-tune their designs for consumer success – today the design process has been radically transformed; the user is now centre-stage in the design process. From design ethnography to cultural probing, innovative designers in the 21st century are relying on anthropological methods to illicit the meaning, rather than the mere form and function of stuff...The work offers the definitive guide to the issues facing the shapers of our increasingly complex material world.How has user-experience transformed our understanding of design? And how do leading design corporations, from IDEO to INTEL, harness the insight of anthropologists in generating future visions? Why are new disciplines, like digital anthropology, shaping our increasingly de-materialised product cultures?.
出版日期Book 2011Latest edition
關(guān)鍵詞Anthropology; Architecture; Art; Creativity; Culture; Design
版次1
doihttps://doi.org/10.1007/978-3-7091-0234-3
issn_series 1866-248X
copyrightSpringer-Verlag Vienna 2011
The information of publication is updating

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Kristy L. Archuleta,Emily A. Burrhetics, and its interactions. No longer bound to the outdated fiction of the Fordist product, a logical object borne of rational technological means and eagerly adopted by the novelty-hungry consumer, theorization around ‘stuff’ has seen an exponential increase. But the ‘turn to the material’, as so
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Classical Analysis of Interest Rates ethnographic methods linked to ‘thinking thief’ and ‘user’ in order to generate designs against crime. Second, by analyzing strategies used by a variety of artists, designers, entrepreneurs, and criminals that involve opportunism and visually focused modus operandi. Finally, the paper considers the
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Deflation and Inflation Dynamics with Debtich the design profession questioned its social and ecological role in the making of commodities. The emergence of a critical design culture that sought to strip away the layers of ‘false’ meaning around commercial products, indigenous objects, and anthropology came to offer an alternative model of
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