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Titlebook: Decolonization Agonistics in Postcolonial Fiction; Chidi Okonkwo Book 1999 Palgrave Macmillan, a division of Macmillan Publishers Limited

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發(fā)表于 2025-3-23 13:41:32 | 只看該作者
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,Gütevergleich von F-Test und H-Test,hetic experience comes from the indigenous culture. Many novelists have therefore generally begun by looking inwards to their own myths, epics, legends, folktales, songs, riddles and proverbs, and other literary performances.
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發(fā)表于 2025-3-23 22:51:33 | 只看該作者
Book 1999onventions of aesthetic representation to transform the novel into an effective medium for cultural and political resistance to (neo)colonialism. Concentrating on novels written between the late 1940s and early 1990s in Africa, Polynesia, and the West Indies, it offers a fresh mode of postcolonial c
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發(fā)表于 2025-3-24 07:33:33 | 只看該作者
The Politics of Form: Ideology, Form and Technique,hetic experience comes from the indigenous culture. Many novelists have therefore generally begun by looking inwards to their own myths, epics, legends, folktales, songs, riddles and proverbs, and other literary performances.
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發(fā)表于 2025-3-24 11:04:04 | 只看該作者
Book 1999entrating on novels written between the late 1940s and early 1990s in Africa, Polynesia, and the West Indies, it offers a fresh mode of postcolonial critique which takes account of the ideological impulses behind the novelists‘ interpretation of the colonial experience.
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發(fā)表于 2025-3-24 20:16:28 | 只看該作者
https://doi.org/10.1007/978-3-663-06780-1gnificance as we do ‘a(chǎn)long lines laid down by our native languages’, because we are parties to an agreement ‘.’ (Whorf’s emphasis) codified in the patterns of language within the speech community, with the grammar of each language guiding the individual’s mental activity, analysis of his impressions and synthesis of ‘his mental stock in trade’..
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發(fā)表于 2025-3-25 02:26:21 | 只看該作者
A. Zryd,T. Liechti,J. D. Wagniereorigination context that does not in any way replicate the Englishman Daniel Defoe’s serendipitous inauguration of the middle-class novel in Great Britain. Novelists in the (ex)colonial world made a conscious choice to harness the fictive mode as an auxiliary force in their societies’ confrontations with colonialism and neocolonialism.
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