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Titlebook: Decolonization Agonistics in Postcolonial Fiction; Chidi Okonkwo Book 1999 Palgrave Macmillan, a division of Macmillan Publishers Limited

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發(fā)表于 2025-3-21 16:28:49 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
書目名稱Decolonization Agonistics in Postcolonial Fiction
編輯Chidi Okonkwo
視頻videohttp://file.papertrans.cn/265/264438/264438.mp4
圖書封面Titlebook: Decolonization Agonistics in Postcolonial Fiction;  Chidi Okonkwo Book 1999 Palgrave Macmillan, a division of Macmillan Publishers Limited
描述This book explores through theory and in-depth textual criticism how novelists from formerly colonised societies have exploited indigenous codes and conventions of aesthetic representation to transform the novel into an effective medium for cultural and political resistance to (neo)colonialism. Concentrating on novels written between the late 1940s and early 1990s in Africa, Polynesia, and the West Indies, it offers a fresh mode of postcolonial critique which takes account of the ideological impulses behind the novelists‘ interpretation of the colonial experience.
出版日期Book 1999
關(guān)鍵詞critique; fiction; Interpretation; novel
版次1
doihttps://doi.org/10.1057/9780230375314
isbn_ebook978-0-230-37531-4
copyrightPalgrave Macmillan, a division of Macmillan Publishers Limited 1999
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發(fā)表于 2025-3-21 22:54:57 | 只看該作者
,Gütevergleich von F-Test und H-Test, the West Indies, the existence of a rich indigenous tradition of literature, albeit an oral tradition, means that novelists’ first and formative aesthetic experience comes from the indigenous culture. Many novelists have therefore generally begun by looking inwards to their own myths, epics, legend
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https://doi.org/10.1007/978-3-663-06780-1 language, Lyotard points out, ‘do not carry within themselves their own legitimation, but are the object of a contract, explicit or not’.. Before Lyotard, Benjamin Lee Whorf, in a hypothesis later modified by Edward Sapir, maintained that we dissect nature, organize it into concepts, and ascribe si
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A. Zryd,T. Liechti,J. D. Wagnierendividual experiences within that society. Accepted in its broad meaning, Philip Stevick’s observation that ‘a(chǎn)lmost everything one can say about Western culture from the beginning of the eighteenth century to the present can serve to characterise the [Western] novel’. is equally applicable to the re
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https://doi.org/10.1057/9780230375314critique; fiction; Interpretation; novel
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Palgrave Macmillan, a division of Macmillan Publishers Limited 1999
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