Titlebook: Cultural Policy and Cultural Industries in Africa; From Culture as a Co Last Moyo Book 2024 The Editor(s) (if applicable) and The Author(s)

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書目名稱Cultural Policy and Cultural Industries in Africa影響因子(影響力)




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978-3-031-57744-4The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl

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https://doi.org/10.1007/978-3-030-44677-2 Conference (1955). The timeline is based on Ghana’s independence in 1957 and South Africa in 1994, the former representing the first Sub-Saharan African country to get independent?while the latter representing the last. In decolonial cultural policy approaches, the Bandung Conference is an event of

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https://doi.org/10.1007/978-3-030-44677-2ansformative power to deliver substantive cultural freedoms to wider society. Reminiscent of societies that are emerging from protracted histories of slavery and colonialism, and countenancing gripping neocolonial futures, the crisis of normativity in postcolonial Africa points to a multidimensional

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https://doi.org/10.1007/978-88-470-2454-0and film in Africa and how these cultural?industries emerged as a critical part of the colonial edifice. The fact that broadcasting and film were the epicenter of the colonial audio-visual cultures continues to pose huge challenges to the initiatives of postcolonial Africa to decolonize its cultural