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Titlebook: Cultural Policy and Cultural Industries in Africa; From Culture as a Co Last Moyo Book 2024 The Editor(s) (if applicable) and The Author(s)

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發(fā)表于 2025-3-21 19:55:38 | 只看該作者 |倒序瀏覽 |閱讀模式
書目名稱Cultural Policy and Cultural Industries in Africa
副標題From Culture as a Co
編輯Last Moyo
視頻videohttp://file.papertrans.cn/243/242510/242510.mp4
概述makes a case to re-assert the value of cultural policy into transforming African cultural industries and societies.identifies modern cultural policy as a critical part of the colonial matrix of the co
圖書封面Titlebook: Cultural Policy and Cultural Industries in Africa; From Culture as a Co Last Moyo Book 2024 The Editor(s) (if applicable) and The Author(s)
描述.This book argues for the reconstitution of the cultural in African cultural industries and societies. It posits that African cultural industries face a deep-seated problem of the crisis of normativity that is largely rooted in the coloniality of modern cultural policy and an unconscious, but pervasive anti-Black racism culture in the continent itself.?The book places hope for re-animating African agency and national cultural identities in the decolonization of cultural policy and cultural industries as consciousness industries. Only through relevant cultural policy, a higher-order cross-institutional moral and ethical value system for reconstituting the cultural in post-colonies, can Africa build truly democratic, progressive, cosmopolitan, decolonized, and self-respecting citizens and societies. Using decolonial cultural policy studies, the book develops a decolonial cultural critique that locates African culture industries within the racialized power dynamics of capitalist modernity. It explores the decolonization praxis of cultural industries and acknowledges the complexity of cultural decolonization iniatives in a continent that is so diverse, interconnected, globalized, and f
出版日期Book 2024
關鍵詞African media systems; decolonial cultural studies; postcolonial media in Africa; African media; cultura
版次1
doihttps://doi.org/10.1007/978-3-031-57742-0
isbn_softcover978-3-031-57744-4
isbn_ebook978-3-031-57742-0
copyrightThe Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl
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978-3-031-57744-4The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl
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https://doi.org/10.1007/978-3-030-44677-2 Conference (1955). The timeline is based on Ghana’s independence in 1957 and South Africa in 1994, the former representing the first Sub-Saharan African country to get independent?while the latter representing the last. In decolonial cultural policy approaches, the Bandung Conference is an event of
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https://doi.org/10.1007/978-3-030-44677-2ansformative power to deliver substantive cultural freedoms to wider society. Reminiscent of societies that are emerging from protracted histories of slavery and colonialism, and countenancing gripping neocolonial futures, the crisis of normativity in postcolonial Africa points to a multidimensional
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https://doi.org/10.1007/978-88-470-2454-0and film in Africa and how these cultural?industries emerged as a critical part of the colonial edifice. The fact that broadcasting and film were the epicenter of the colonial audio-visual cultures continues to pose huge challenges to the initiatives of postcolonial Africa to decolonize its cultural
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